Ashly Protea System II 4.24G 운영 매뉴얼 - 페이지 16

{카테고리_이름} Ashly Protea System II 4.24G에 대한 운영 매뉴얼을 온라인으로 검색하거나 PDF를 다운로드하세요. Ashly Protea System II 4.24G 20 페이지. Two/four channel graphic/parametric equalizer/system processor, full function graphic equalizer remote control

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Ashly Protea System II 4.24G 운영 매뉴얼
Operating Manual - PROTEA SYSTEM II Digital Audio Products

7.3 CONTINUOUS CONTROLLER REFERENCE TABLE

4.24G Main and Graphic Slaves
Protea
Protea
Control
Control
No.
Name
Range
0
31Hz
-15dB to +15dB
1
40Hz
-15dB to +15dB
2
50Hz
-15dB to +15dB
3
63Hz
-15dB to +15dB
4
80Hz
-15dB to +15dB
5
100Hz
-15dB to +15dB
6
125Hz
-15dB to +15dB
7
160Hz
-15dB to +15dB
8
200Hz
-15dB to +15dB
9
250Hz
-15dB to +15dB
10
315Hz
-15dB to +15dB
11
400Hz
-15dB to +15dB
12
500Hz
-15dB to +15dB
13
630Hz
-15dB to +15dB
14
800Hz
-15dB to +15dB
15
1KHz
-15dB to +15dB
16
1.2KHz
-15dB to +15dB
17
1.6KHz
-15dB to +15dB
18
2KHz
-15dB to +15dB
19
2.5KHz
-15dB to +15dB
20
3.1KHz
-15dB to +15dB
21
4KHz
-15dB to +15dB
22
5KHz
-15dB to +15dB
23
6.3KHz
-15dB to +15dB
24
8KHz
-15dB to +15dB
25
10KHz
-15dB to +15dB
26
12KHz
-15dB to +15dB
27
16KHz
-15dB to +15dB
28
Master Gain
OFF to +6dB
29
Limiter Threshold
-20dBu to +20dBu
30
Limiter Ratio
1:1 to :1
31
Limiter Attack
.5ms to 50ms
32
Limiter Release
10ms to 1 sec
33
Highpass Freq.
20Hz to 10.6KHz
34
Lowpass Freq.
33Hz to 20.1KHz
35
Delay (Coarse Adjust)
0 to 677ms
36
EQ In/Out
Out, In
37
Limiter In/Out
Out, In
38
HPF In/Out
Out, In
39
Delay In/Out
Out, In
40
Channel Mute
Out, In
41
Limiter Pre/Post EQ
Pre, Post
8. PROTEA REMOTE CONTROL
The remote control unit (model 4.24RD) is essentially the "front end" of the 4.24G system processor. It has a
similar interface, but without any audio capabilities. It is used to control the 4.24G, 4.24GS, and 2.24GS, or various
combinations of the three, from a remote location up to 1000 ft away. Two standard XLR cables are used to connect
the remote control to an audio unit. Note: The XLR cables provide DC phantom power to the remote, so pin 1 should
never be connected to ground, and isolation transformers must not be used. For complete information on configura-
tion options when using the remote control, see the table on page 20. Note that the 4.24RD remote will not control
either Parametric Slave. Parametric slaves will only respond to commands from Protea System Software, and while
both types of slaves can be used together, it is best to only use PC control for such hybrid systems.
To conform with the communication standard used in a Protea System, the following functions found in the
main unit are disabled on the remote control.
1.) Channel Linking
2.) Signal Present and Clipping LEDs
3.) Master/Slave select - The remote control always acts as the Master
4.) RS-232/MIDI select - The remote control always sends MIDI data
5.) MIDI Channel assignment is not applicable, as there are no audio channels on the remote
6.) MIDI Monitor is not applicable
7.) Security Screen is disabled - It is assumed that anyone who can access the remote control is fully
authorized to use it.
16
MIDI
Value
No.
Range
4 to 124
50
4 to 124
51
52
4 to 124
.
4 to 124
53-82
4 to 124
4 to 124
.
4 to 124
83
4 to 124
84
85
4 to 124
86
4 to 124
4 to 124
87
4 to 124
88
4 to 124
89
4 to 124
90
4 to 124
4 to 124
4 to 124
91-94
4 to 124
4 to 124
95-96
4 to 124
97
4 to 124
4 to 124
4 to 124
98
4 to 124
99
4 to 124
100
101
4 to 124
4 to 124
4 to 124
102
4 to 124
103
44 to 84
.
60 to 68
104 - 114
.
61 to 67
115
61 to 67
4 to 113
116
13 to 125
117
0 to 127
118
119
0 to 63, 64 to 127
0 to 63, 64 to 127
*Note: Due to limitations of MIDI, continuous controllers may not necessarily offer
0 to 63, 64 to 127
0 to 63, 64 to 127
the complete range or resolution of features found within the main 4.24G or 4.24RD
0 to 63, 64 to 127
Remote Control. Identical functions on Graphic and Parametric slaves are given
0 to 63, 64 to 127
unique controller numbers so independent operation of either unit is possible while
both are in the same Protea system.
Parametric Slaves
Protea
Protea
Control
Control
Name
Range
Filter 1 Fc
19.7Hz to 20.1KHz
Filter 1 BW
1/40 Oct. to 3 1/3 Oct. 0 to 66 (stepsize = 2)
Filter 1 Level
-20dB to +10dB
.
.
Filters 2-11
Same
.
.
Filter 12 Fc
19.7Hz to 20.1KHz
Filter 12 BW
1/40 Oct. to 3 1/3 Oct. 0 to 66 (stepsize = 2)
Filter 12 Level
-20dB to +10dB
Low Shelf Freq
19.7Hz to 243Hz
Low Shelf Level
-15dB to +15dB
High Shelf Freq
1.63KHz to 20.1KHz
High Shelf Level
-15dB to +15dB
Master Gain
Off to +6dB
Limiter Threshold, Ratio, Attack, Release (Same as Graphic Limiter)
Highpass Freq, Lowpass Freq (Same as Graphic)
Delay - Coarse Adjust (Same as Graphic)
EQ In/Out
Out, In
Limiter In/Out
Out, In
HPF/LPF In/Out
Out, In
Delay In/Out
Out, In
Limiter Pre/Post
Pre, Post
Param. Filter 1 In/Out Out, In
.
.
Par. Filter 2-12 In/Out Out, In
.
.
Low Shelf In/Out
Out, In
High Shelf In/Out
Out, In
Channel Mute
Unmute, Mute
Low Shelf Slope
6dB / 12dB per Oct.
High Shelf Slope
6dB / 12dB per Oct.
MIDI
Value
Range
0 to 120
0 to 120 (stepsize = 2)
.
Same
.
0 to 120
0 to 120 (stepsize = 2)
0 to 87
0 to 60
0-87
0 to 60
4 to 124
0 to 63, 64 to 127
0 to 63, 64 to 127
0 to 63, 64 to 127
0 to 63, 64 to 127
0 to 63, 64 to 127
0 to 63, 64 to 127
.
0 to 63, 64 to 127
.
0 to 63, 64 to 127
0 to 63, 64 to 127
0 to 63, 64 to 127
0 to 63, 64 to 127
0 to 63, 64 to 127