Ashly CLX-52 운영 매뉴얼 - 페이지 4

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Ashly CLX-52에 대해서도 마찬가지입니다: 기술 노트 및 사양 (2 페이지), 운영 매뉴얼 (12 페이지), 기술 노트 및 사양 (2 페이지)

페이지 인쇄

Page - 4

Safety Instructions – 3

Introduction

Introduction - 4

CLX-52 – 5

Congratulations on your purchase of the Ashly CLX-52 Peak Compressor/ Limiter. The

CLX-52 was designed to meet the need for universal peak-sensitive automatic gain control

Connectors & Cables – 5

(AGC) devices with exceptional audio performance and rugged durability. The CLX-52 has

Physical Description - 6

the following key features:

Installation – 7

Typical Applications - 8

Troubleshooting - 9

Dimensions - 9

Specifications - 10

Warranty - 11

We are confident that you will be pleased with the high performance, superb sound quality,

and reliability that Ashly is known for.

Threshold control

Input/output meter with select switch

Balanced XLR connectors

A single TRS patch point detector loop

Premium components throughout

Quality construction through computerized, automated assembly

About Ashly

Ashly Audio was founded in 1974 by a group of recording engineers, sound professionals,

and electronics designers. The first products were custom consoles for friends and

associates, but business quickly grew. The philosophy established from the very beginning

holds true today: to offer only the highest quality audio tools at an affordable cost to the

professional user – ensuring reliability and long life. More than thirty years later, Ashly

remains committed to these principles.

What Compressors And Limiters Do

Limiting – All musical programs have constant changes in loudness. It is the job of a

limiter to detect when the volume has exceeded a predetermined maximum safe level, and

to then turn down the volume. When the incoming signal returns to its original level, the

limiter should respond by restoring the gain to normal. Thus, when the level is within a

specified "safe" range, the limiter has no effect. When an occasional peak occurs, the

limiter responds.

Compression - A significant difference in dynamic range is achieved simply by changing

the relationship between nominal signal level and threshold, as a result of either increasing

the GAIN and/or decreasing the THRESHOLD control. The most interesting effect to be

noted, however, is seen by comparing the original input signal with the output signal. The

quietest portions of the original signal will be effectively increased in volume while the

loudest portions of the original signal will be decreased. In effect, both ends of the

dynamic spectrum will be pushed toward the "middle". More than anything else, it is this

double-ended effect, which distinguishes compression from limiting.

Operator Manual – CLX-52 Compressor/Limiter