Ashly Protea System II 4.24PS 운영 매뉴얼 - 페이지 5

{카테고리_이름} Ashly Protea System II 4.24PS에 대한 운영 매뉴얼을 온라인으로 검색하거나 PDF를 다운로드하세요. Ashly Protea System II 4.24PS 20 페이지. Four channel digital parametric equalizer slave
Ashly Protea System II 4.24PS에 대해서도 마찬가지입니다: 기술 노트 및 사양 (2 페이지)

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1.2 AUDIO FEATURES

The Protea audio components consist of state of the art technologies, beginning with a 24 bit, 48kHz delta-

sigma A/D converter with 128x oversampling. Digital processing includes EQ, Compression, Limiting, Shelving,

Highpass and Lowpass Filters, and Time Delay, taking place in a 100MHz Motorola DSP56303 high performance DSP

processor. D/A conversion uses a 24 bit delta-sigma converter with 128x oversampling. Inputs are precision balanced

and RF protected, while outputs may be wired balanced or unbalanced. All audio connections use XLR and 1/4" phone

jacks for greater flexibility. Up to sixteen different audio channels can be linked together for expanded system control

using the main 4.24G and slave units 4.24GS, 2.24GS, 4.24PS, and 2.24PS.

1.3 USER INTERFACE

A key advantage to the Protea system is that all audio functions are intuitively laid out so that a minimum number of

keystrokes can quickly change a setting on any channel in real time. With this in mind, two entirely different methods to

control the signal processing functions in Protea products have been developed, one using an innovative keyboard interface

which is similar to an analog EQ face, while the other uses custom Windows95/98™ software for the PC.

Keyboard Interface: The keyboard interface on either the main (4.24G) or remote control (4.24RD) displays

information on a 240 x 64 pixel flourescent backlit LCD screen. The combination of the analog-style keyboard and

LCD makes navigating around the Protea amazingly simple. The 4.24RD remote control is essentially the "front end"

of the 4.24G, allowing remote processor control from within reach of the equipment rack, or from a control room over

1000 feet away. Note: The 4.24RD remote controls the main and graphic EQ slaves, but not the two parametric

slaves, 4.24PS and 2.24PS. Parametric slaves require PC control using Protea System Software.

Protea System Software: The second type of interface uses Ashly PROTEA SYSTEM SOFTWARE for the

Windows95/98 environment, which allows complete PC control through a computer's RS-232 serial port. Protea

System Software controls the main 4.24G, and both graphic and parametric Protea slaves. Protea system software is

supplied with slave units, or can be downloaded at no cost from the Ashly web site. At this time, there is no Mac

version of Protea System Software available.

Contact Closures: For Protea slave units, a small switch can be connected for recalling up to six different

pre-programmed settings, or scenes, without the risk of mistakenly changing those settings. Ashly offers a six position

rotary switch assembly which can be mounted to a standard electrical switch box, or can be wired into a custom

installation. See section 6.4 for details.

1.4 PROTEA SYSTEM CONCEPTS

It is important when learning about the Protea to understand several key terms, which are defined below.

Preset Number . . . . 128 different user-defined settings which can be recalled to any channel

Preset Name . . . . . .Every preset number can have an associated name, but it is not required

Local Channel . . . . The physical path in a unit to which audio signals are connected

MIDI Channel . . . . One of 16 different logical channels. A local channel can be assigned any MIDI channel

Current Channel . .The local channel which is currently selected on the LCD display.

Bank . . . . . . . . . . . .On a master or remote unit, a bank combined with a channel selects a MIDI channel number.

Menu . . . . . . . . . . . .Menu items select audio and setup screens for fast access to all Protea features

Softkey . . . . . . . . . . .Any key having multiple uses, depending on the menu item selected

Dialog Box . . . . . . .A pop-up window that requests a response from the user, or displays a change

Master . . . . . . . . . . .The controlling 4.24G unit in a multi-unit Protea system.

Slave . . . . . . . . . . . .Any piece in a multi-unit Protea system which responds to system commands from another unit

Channel Linking . .2, 3, or 4 local channels of a 4.24G may be linked together so that they share the same

Operating Manual - PROTEA SYSTEM II Digital Audio Products

ex. Bank B + channel 1 selects MIDI channel 5, Bank D + ch. 4 selects MIDI channel 16

settings, but maintain discrete audio paths