Gainlab Audio BISHOP Quick Start Manual - Page 7

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Gainlab Audio BISHOP Quick Start Manual
designed for high-impedance asymmetrical signals, which are further
linked to the preamp via a matching buffer.
can be adjusted using the Drive potentiometer.
parameter will vary based on the internal structure of the connected
instrument.
It is strongly recommended to utilize the instrument input in
Low Gain
mode, alongside an appropriate Drive setting, as this approach
maintains the signal-to-noise ratio at a manageable level due to the
asymmetrical signal and high impedance.
LINE INPUT
MIC. INPUT
combined front panel connector. Generally, devices connected to the
front panel always take priority. For instance, if microphones are
connected to both the front and rear panel inputs, the microphone
connected to the rear panel input will remain inactive until the
microphone connected to the front panel input is disconnected.
DYNAMICS CONTROL SECTION
Dc
Moving to the right of the VU meter, you will find the instruments and
controls of the optical compressor directly. The compressor can be
activated or deactivated using the switch located below the reduction
meters. The compressor in the
employing Light Dependent Resistors (LDRs) for dynamic control,
similar to units like the LA2A or CL1B. While most dynamics processors
allow for setting a single threshold point, the
enables the setup of two threshold
a Dual Slope optical compressor.
A typical use of this compressor involves applying the majority of
dynamic control on the first knee of the curve, followed by a much
steeper second knee to handle sudden and abrupt amplitudes. This
approach allows the compressor's sound to remain manageable and
When it comes to connecting
input sources, it's possible to
connect microphone and line
signals to both the front and rear
panel connectors, while the
instrument input is only available via the
Bishop utilizes optical
points, which is why we refer to it as
The gain of the input buffer
The appropriate Drive
compression,
Bishop's compressor