DIGISYNTHETIC DSM 104 Operating Instruction - Page 4
Browse online or download pdf Operating Instruction for Recording Equipment DIGISYNTHETIC DSM 104. DIGISYNTHETIC DSM 104 10 pages. Professional mixing console dsp
4 MONO CHANNELS SECTION
1 MIC
Neutrik electronically XLR connector
1
input socket. For connecting low level
signal sources, such as microphones or
other low impedance devices.
2) LINE
2
B a l a n c e d o r u n b a l a n c e d 1 / 4
(6.35mm)diameter stereo jack input
socket.For connection of high level sound
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sources, such as keyboards, electric guitars,
electronic musical instruments or audio
playback units. Mono connectors can also
be used for automatic signal unbalancing.
When connecting a record rurnable , use
only an external R.I.A.A pre-amplifier.
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3) INS
Stereo jack connector (
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connecting the input and output of a
remote device -noisegate, compresor,
equalizers - in series with the channel. The
command is only avaitable in mono
channels.
4) PAD (-20dB)
6
When push this switch ,attenuates.the
input signal -20dB.
5) GAIN
Adjusts pre-amplifiction of signals from
the MIC (1)and LINE (2) inputs, ensuring
optimal performance of channel circuits.
For well-balanced Gain adjustment,
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position the volum fader (14) at
approximately 3/4 of the control travel,
then adjust Gain until the PEAKLED (10)
lights up only at signal peaks.
6) HIGH-MID-LOW
8
The sound tone controls are positioned
after the GAIN control (5); the boosting of
these controls can cause channel
overloading , in which case the PEAK
LED will illuminate (10); turn the GAIN
control knob (5) in an anticlockwise
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direction until PEAK LED(10)goes out.
HIGH:
-
controls the high range of signals
10
( 15dB).
When the knob is centrally
positioned (zero point), sound tone
remains unchanged. Turn the knob
anticlockwise to gradually reduce high
frequencies (vocals with less hiss,
reduction of background noise, cymbals
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less cutting,etc.); Turn the knob clockwise
to boost high frequencies (sounds are
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highlighted, vocals are more intelligible,
signal harmonics are emphasised).
13
MID
-
:controls the mid-range of signals(
12dB). When the knob is centrally positioned
(zero point), sound tone remais unchanged.
Turn the knob anticlockwise to gradually
reduce mid frequencies (reduction of mid part
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of sound, tones at extremes of high and low
ranges are emphasised, typical of dance music
tones); tum the knob clockwise to boost mid
frepyencies (sound body is highlighted,
greater overall sound power and more nasal
tone).
LOW
-
: controls the low range of signals (
15dB). When the knob is centrally positioned
(zero point), sound tone remains unchanted.
Turn the knob anticlockwise to Graduatly
reduce low frequencies (boom is neutralised,
excessively low sounds are removed); turn the
knob clockwise to boost low sounds are
removed); tum the knob clockwise to boost
low freuencies (more fullbodied sound,
highlighting of main signal frequencies,
prcussive sound more pronounced).
7) AUX1-AUX2
Use this control to the level of singal from
extemal soure and the main sigral control is
re-controled by MAS-TER or SUB section.
6.3mm) for
8) EFF1.EFF2
Use this control when you want to get effect
sound by adjustment of input signal, when
you don`t use extemal soure digital will be
working which in stallde inside.
9) PAN
Knob for adjusting signal stereo position, for
constant variation to the stereo image. Turn
the knob to the left (L) or right (R ) to vary the
proportion two signals; turn the knob to far
left
or far right to eliminate the opposite
signal. To connect stereo soures, use two
mono channels; position one PAN to the left
(L), the other to the right (R).
10) PEAK.OdB.-10dB
Red LEDthat lights up when the signal level at
the tone control output is rear clipping
point.yillow LED is odb,green LED is -20dB.
11) PFL
Used for headphone monitoring of each
channel, regardless of the main mix. The
PFL(Pre-Fader Listen) function allows the
user to listen to the level before fader control;
subsequent adjustment of the fader control (14)
will not modify the level. The control is useful
during channel gain adjustment.
12) SUB1-2
Push the switch, can use sub1-2fader.
13)MAIN L-R
If you want to use master L-R fader, push this
switch.
14) FADER
ALPS 60mm slide control, with dust guard
.The fader adjusts channel signal level to be
sent to the Master MAIN controls L- R (41)
.Set the slider to 0dB for maximum signal
level; slide downwards to lower and
eventuaily eliminate (
results, set the slide control to 3/4 of travel
upwards, then adjust the GAIN control (5) to
desired level.
) the signal. For best
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