Yamaha EX7 Supplementary Manual - Page 2
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Velocity Switching
This setup will produce a piano or brass sound
depending on how hard you play on the keyboard.
1: Go to the Performance Job mode and execute the Init
Perf function (manual page 173).
2: Engage the Performance Edit mode, press [F3] to go
to the "MLT" (Multi) display, and assign the "P1-001
Natural Grnd" piano voice to Part 1 (manual page
171).
3: Assign the "P1-065 Sect" brass voice to Part 2.
4: Scroll down to the Part 2 "Layer Sw" parameter and
turn it "On".
5: Scroll down to the "VelLmt L" parameter and set the
Part 2 low velocity limit value to 101.
6: Set the Part 1 "VelLmt H" parameter to 100.
Volume
Part 1
1
Vel Limit High = 100
Split With Arpeggiator
This example illustrates how the EX Arpeggiator can be
used with a split voice.
1: Go to the Performance Job mode and execute the Init
Perf function (manual page 173).
2: Engage the Performance Edit mode, press [F3] to go
to the "MLT" (Multi) display, and assign the "P2-027
CombiComp" voice to Part 1 (manual page 171).
3: Assign the "P2-010 BrethChoir" voice to Part 2.
4: Scroll down to the "Nt Lmt H" parameter and set the
Part 1 high note limit value to "B2".
5: Set the Part 2 "Nt Lmt L" parameter to "C3".
6: Go to the "COM/ARP" (Common/Arpeggiator) display
and set the Arpeggiator "NoteLim H" parameter to
"B2" (manual page 160).
7: Select the "041 [PulsLine]" Arpeggiator type.
You should now be able to play the choir voice normally
on all keys to the right of and including C3, while the
Arpeggiator will apply only to the "CombiComp" voice
played on all keys to the left of C3.
Part 2
127
Vel Limit Low = 101
Layers & Voice Response
EX voices themselves can have from one to four
layered elements. Up to 2 of these voices can then be
combined (layered or split) in the EX Performance mode
for even greater depth and richness. There are
limitations, however, and the following points should be
kept in mind when combining voices in the Performance
mode.
Number of Elements
When two voices which use a large number of element
layers are combined in the Performance mode, the extra
processing power required can result in sluggish
response when notes are played on the keyboard. This
may be particularly noticeable on percussive voices
which depend on a rapid attack for their sound. If this
problem occurs, try combining voices which use fewer
elements. The number of elements used by each voice
appears in the upper left-hand corner of the Voice Edit
display.
EL1
2