Nikon SB-800 Productbrochure
Blader online of download pdf Productbrochure voor {categorie_naam} Nikon SB-800. Nikon SB-800 2 pagina's. Speedlight programming & using two or more in wireless mode
Ook voor Nikon SB-800: Gebruiksaanwijzing (25 pagina's), Specificatieblad (2 pagina's), Snelstarthandleiding (3 pagina's)
Speedlights
Speedlight SB-800
Speedlight SB-600
• Guide Number of 53 [ISO200, m]
• Guide Number of 42 [ISO200, m]
(at 35mm position)
(at 35mm position)
• Master commander function
• Tilting/rotating flash head for bounce
• Tilting/rotating flash head for bounce
effect
effect
• Advanced Wireless Lighting
• Repeating Flash
• Simple operation
Dimensions (W x H x D): Approx. 70.5 x 129.5 x 93.0mm
Dimensions (W x H x D): Approx. 68.0 x 123.5 x 90.0mm
Weight (without batteries): Approx. 350g
Weight (without batteries): Approx. 300g
Speedlight SB-400
• Guide Number of 30 [ISO200, m]
• Tilting flash head for bounce effect
Shot with SB-400 (bounce light)
• i-TTL flash control
• Compact and lightweight
Dimensions (W x H x D): Approx. 66.0 x 56.5 x 80.0mm
Weight (without batteries): Approx. 127g
Shot with built-in flash (direct light)
The basics for choosing a lens
Picture angle and focal length
1. Picture angle
12mm
18mm
24mm
55mm
70mm
120mm
200mm
300mm
400mm
Picture angle — the image area seen through the lens — is determined by the focal
length. A lens with a shorter focal length provides a wide-angle picture and broader
images, while a longer focal length (i.e. telephoto lens) results in a narrower picture
angle and larger image.
Note: When the lens is attached to a digital camera, the picture angle is equivalent to that of a 35mm film-based
camera lens with approximately 1.5x focal length.
Advanced Wireless Lighting
Wireless Remote
If your Nikon digital SLR employs Nikon's
Speedlight SB-R200
exclusive i-TTL flash control of the Nikon
Creative Lighting System, you can attach
The easiest wireless remote unit
SB-800/SU-800 and control up to three wireless
remote groups, with each group consisting of
• Guide Number of 14
any number of SB-800, SB-600, or SB-R200
[ISO200, m]
Speedlight units.
• Functions only as a
remote Speedlight
unit
• Speedlight stand is
supplied
Dimensions (W x H x D): Approx. 80 x 75 x 55mm
Weight (without batteries): Approx. 120g
Wireless Speedlight
Commander SU-800
Commander unit for Nikon Advanced
Wireless Lighting
• Controls up to 3
groups of Speedlight
units
• Compatible with
SB-R200, SB-800 and
SB-600 Speedlights
• Simple operation
Dimensions (W x H x D): Approx. 68 x 96 x 58mm
Weight (without batteries): Approx. 160g
A
Nikon Close-up
Speedlight
Commander Kit
R1C1
D40 with SB-400
2. Perspective
18mm
55mm
Perspective refers to the relationship between size and depth of subjects in a
picture. A wideangle lens emphasizes foreground objects by making them appear
further away from the background. A telephoto lens compresses the foreground and
background, deemphasizing their difference in size and relative distance.
Depth of field
The area of a photograph in which subjects in front of and behind the main subject
appear sharply focused is known as the depth of field. The depth of field corresponds
to the lens aperture in use. A smaller aperture (larger f-number) creates a greater
depth of field, increasing the area in focus. The focal length of a lens also has an
effect; as the focal length increases,
depth of field decreases.
Great depth of field (f/16)
Brightness of a lens (f-number)
An f-number — marked, for example, as f/2.8, F2.8 or 1:2.8 — indicates how much
light a lens allows through its aperture. A small f-number corresponds to a large
aperture, meaning it allows more light through and can be used with faster shutter
speeds.
Nikon Software
Fast forward to a new generation of image editing
Go to the next generation of high-quality image editing and processing to
supercharge your workflow. Advanced Nikon Capture 4 plus exclusive patented
U Point™ technology, by Nik Software, delivers easier access to the results of
your imagination.
The new Capture NX software releases not only the
newest powers of Nikon's Electronic Format (NEF) files;
for the first time, it makes JPEG and TIFF processing and
editing elegant and easy enough for any photographer to
M: Master
implement, with no need for complicated procedures. Its
A: Remote
B
new interface provides access to powerful and visually
B: Remote
intuitive enhancement tools you need, so it's easier to
C: Remote
explore, with more visual potential. With Capture NX to
realize your imagination, the possibilities are endless!
C
http://capturenx.com/
M
To learn more about Nikkors, please visit
http://nikonimaging.com/global/technology/nikkor/
To learn more about Speedlights, please visit
http://nikonimaging.com/global/technology/speedlight/
200mm
Products and brand names are trademarks or registered trademarks of their respective companies. Images on LCDs and monitors shown in this
brochure are simulated.
Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. November 2007
© 2007 NIKON CORPORATION
Shallow depth of field (f/2.8)
TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY
WARNING
BEFORE USING YOUR EQUIPMENT.
Nikon Hong Kong Ltd. Suite 1001, 10/F Cityplaza One, 1111 King's Road, Taikoo Shing, Hong Kong www.nikon.com.hk
Nikon Singapore Pte. Ltd. No. 80 Anson Road, Fuji Xerox Towers, #10-01/02, Singapore 079907 www.nikon.com.sg
Nikon (Malaysia) Sdn. Bhd. 11th Floor, Block A, Menara PKNS, No. 17, Jalan Yong Shook Lin, 46050 Petaling Jaya,
Selangor Darul Ehsan, Malaysia www.nikon.com.my
Nikon Australia Pty Ltd. Unit F1, Lidcombe Business Park, 3-29 Birnie Avenue, Lidcombe NSW 2141, Australia www.nikon.com.au
Nikon Imaging Korea Co., Ltd. 12F The Chamber of Commerce & Industry Bldg 45 4ga Namdaemunro, Jung-gu, Seoul, 100-743 Korea
www.nikon-image.co.kr
Nikon India Private Limited Plot no 17, Sector 32, Institutional Area, Gurgaon 122002, Haryana, India www.nikon.co.in
Nikon Canada Inc. 1366 Aerowood Drive, Mississauga, Ontario L4W 1C1, Canada www.nikon.ca
Fuji Bldg., 2-3, Marunouchi 3-chome, Chiyoda-ku,
Tokyo 100-8331, Japan
http://nikonimaging.com/
Printed in China Code No. 6CE41661 (0711/E) T
Capture NX
U Point™ Technology
Simply select a control point and adjust its slider until you see the image as you like
it. It's a highly visual, intuitive technique.
Color Control Points
Color Control Points let you directly select and
isolate an entire image or an area within it for
enhancement quickly. Within moments, you
can choose and use any Color Control Point to
modify any aspect of a selected area
including: Size, Hue, Brightness, Saturation,
Contrast, Red, Green, Blue and Warmth.
Moving any one of these sliders will change how that
Control Point interacts with your image. Contrast, Red,
Green, Blue and Warmth sliders are also available as an
advanced setting.
Show Selection for Accurate
Control
Use the "show selection" feature for each
Color Control Point to see which area of the
image is affected by the Color Control Point.
This process reverses the image into a black
and white view and clearly shows the image
areas under adjustment.
Color Aberration Control by
Lens Correction Tools
Getting More From Your
Nikon Digital SLR.
http://nikonimaging.com/global/activity/npci/
En
Black, White, Neutral Control
Points
Black, White and Neutral Control Points can
be used to set the dynamic range and correct
color casts in your images. Neutral Control
Points can also be used to set color balance in
an image. This is useful for removing color
casts and toning, even without a neutral
object in the scene.
Control Points
Size
H
Hue
S
Saturation
B
Brightness
Red-Eye Reduction
Thanks to U Point™ technology, red-eye can
be easily removed. Just place a Red-Eye
Reduction Control Point on each of the
offending eyes, and away it goes! With just a
few slider adjustments, you can use a color
Control Point to make blue (or any other eye
color) eyes brighter, darker or more radiant.