Blue Blueberry Gebruikershandleiding - Pagina 4

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ence that enables the most delicate sounds to cut

through a mix, even at very low levels.

The microphone's MZ02 solid-state electronics are

based on a Class A, fully discrete circuit. In plain

English, this means that the sound which arrives at

the diaphragm is transduced (converted to electrical

energy) as accurately as possible, with no integrated

circuits (a.k.a. "IC's") in the signal path. To get the

most out of this, or any quality microphone, it is

essential to pair it with a good microphone pre-

amplifier. Most professional recordists prefer to

have outboard preamps on hand, and will choose

solid-state or vacuum tube models based on their

unique characteristics. To maintain the integrity of

your signal, use the Blueberry high-definition mic

cable going into the mic preamp. And, whenever

possible, connect the mic preamp output directly to

your recorder or A/D converter, bypassing the mixing

board and any unnecessary components.

For mounting the microphone on a stand, a recessed,

threaded socket is built into the Blueberry body,

next to the XLR output jack. Optional Series One or

Series Two shockmounts offer alternative mounting

systems to enhance positioning and isolate the

microphone body from low frequency vibrations

conducted through the stand. The Series One cradle

mount includes a mounting bracket which also

The Blueberry with optional shockmounts and W1

POP Filter

functions as a base for the W1 wire mesh pop filter;

to fit the Blueberry into this bracket you must first

remove the four knurled nuts on the side of the

microphone. If a pop filter is not required, the

Series Two yoke mount is recommended. Its elastic

bands attach easily to the knurled nuts on the side

of the microphone.

Whether you are using the microphone on its own,

or with a shockmount, you may find it easiest to 1)

loosen the boom stand arm or threaded end of the

mic stand, 2) grasp the mic or shockmount assembly

Blueberry Capsule Frequency Response

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Frequency (Hz)

This frequency chart of the Blueberry capsule is only a start. It gives the recordist a basis of the

sound provided. How the microphone reacts in a particular application will differ greatly because of

many variables. Room acoustics, distance from sound source (proximity), tuning of the instrument

and microphone cabling are only a few of the interacting issues. For an artist or engineer, how the

microphones are used creates the basis of the sound.

in one hand, and 3) screw the mic stand threads into

the appropriate mount, without over-tightening. This

procedure will assure that the elastic shockmount

bands stay in place, and eliminates any possibility

of damage to the mic. The angle of the swivel mount

can be adjusted with the large thumbscrew.

The Blueberry requires 48 volt phantom power, which

is provided by most mic preamps, mixing consoles,

or separate phantom power supplies. It is important

to note that some units, though rated at 48 volts,

may supply insufficient or unstable phantom power,

which can result in distortion and/or degraded per-

formance when used with this microphone.

To avoid damage to audio components when connect-

ing phantom power, follow this simple procedure:

1) turn down the mic preamp gain, headphones, and

your studio monitors, 2) connect microphone cable

to the Blueberry and microphone input jack, 3) turn

on phantom power, 4) turn up the mic preamp gain,

etc. To disconnect or re-route the Blueberry, 1) turn

down the mic preamp gain, headphones, and your

studio monitors, 2) turn off phantom power and wait

10 seconds before disconnecting the mic.

Once the Blueberry is on the stand and powered up,

make sure that the active, on-axis side of the capsule

(the side of the mic with the BLUE logo) is facing the

desired source. The Blueberry is a cardioid microphone,

and is designed to reject off-axis sound arriving at

the back of the capsule. And now, here are some

recording tips that will allow you to get the most

out of the Blueberry!!

Vocals

Here's a little-known secret—vocalists love singing

into unique and impressive mics. And in addition to

its good looks, the Blueberry was developed especially

to enhance the airiness and detail in any voice,

while diminishing the proximity-induced lows which

can cloud a mix or produce compression artifacts.

Put it in front of any singer and you are guaranteed

to get a 110% inspired performance that sits per-

fectly in the mix with little or no additional equal-

ization. The Blueberry is also an outstanding choice

for narration and voiceover work.

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