Drolo stamme n V4 Podręcznik - Strona 3
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Basic Operation
When disengaged, the pedal is always recording the
incoming audio. The length of the recording is dependent
on the sample rate knob (from ~0.8 to ~3.2 sec). When you
press the ON switch it will start playing back and looping
the last recording.
If you press ON again it will stop playing back and will
resume recording. Depending on the given mode and
settings the recording will not necesarily
immediately and replaced by new content. There may be
times where there is still some residue from the previous
recording if you engage the pedal again fast enough.This can
be used quite creatively as it lets you punch in new chunks
of audio whithin the existing recording, if you do it quickly
enough.
When the pedal is engaged and playing back the recording,
you can use the left RECORD switch to add more layers of
sound without interrupting the playback. As you record
more audio, older content of the memory gets faded out.
(except in the ML mode where the left footwitch is only
used for tap tempo) If you leave the RECORD switch
engaged, it actually turns the looping effects into 'live' ones,
that are constantly regenerating and the hold effects
become actual reverb effects.
If you want to start in live mode when engaging the pedal,
simply leave the RECORD switch activated.
Common to all modes are the wet and dry knobs. They
provide unity gain in their noon position and allow to boost
or reduce the signals.
The big control knob adjusts a parameter that is different
get deleted
for each mode.
The sample rate knob allows you to adjust the overall speed
at which the DSP chip will operate.
As a rule of thumb:
Lower sample rate = longer recording time, lower audio
quality, lower filter frequency range, slower fades
Higher sample rate = shorter recording time, higher audio
quality, higher filter frequency range, faster fades
If you adjust the sample rate knob while in play mode it will
change the pitch of the recording, a bit like a tape machine
would.The range of pitch spans over two octaves.
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