Apogee Rosetta 200 Arkusz danych

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Apogee Rosetta 200 Arkusz danych
2-channel, 24bit/192kHz AD/DA Converter
Introducing the Rosetta 200
Apogee's latest 2-channel high-end conversion system featuring 192kHz
sampling rates, "CODA" Audio Finishing Module and MIDI support
T
he Rosetta 200, Apogee's successor to the PSX-100
and Rosetta AD namesake, delivers the quality of the
popular Rosetta 800, in a 2-channel AD/DA solution. Like
the Rosetta 800, the 200 features premium Apogee A/D and
D/A conversion, 192k sampling rates (standard), optional Pro
Tools HD, Mix and FireWire expansion cards and core Apogee
technologies such as UV22HR, and SoftLimit. And while the
Rosetta 200 shares much of its feature set with its cousin, it
throws in some irresistible extras such as the new, CODA, Audio
Finishing Module, full channel metering, and MIDI and S/PDIF
input and output. Flexibility and features galore make the Rosetta
200 an outstanding option for professional and project studios,
mastering engineers, and audio archivists.
Legendary Apogee Conversion in High-Definition
The most crucial component in the digital recording environment
is high-quality A/D conversion and the most trusted and desirable
converters are made by Apogee. With up to 192k sample rates, the
ROSETTA 200 combines Apogee's legendary conversion quality
with flexibility that complements any digital audio workstation.
Connect directly to Pro Tools HD and Mix systems
Like the all new generation Apogee hardware, the ROSETTA 200
has an expansion card slot that accommodates all Apogee X-
Series cards. This gives the Rosetta 200 outstanding connection
capability to Pro Tools HD and Mix systems. With either the "X-HD"
card or the "X-Digi-Mix" card connect the Rosetta 200 directly to
your Pro Tools core card, no other hardware required.
Professional FireWire connectivity (X-FireWire card)
FireWire and digital audio are turning pro with Apogee's new "X-
FireWire card". With the optional FireWire card installed, you'll
be able to connect the ROSETTA 200 natively to any FireWire
input device, with near zero latency and without the need for
additional hardware.
SoftLimit: Maximize Levels, Minimize Overs
One of the greatest difficulties in digital recording is getting an
adequate level without clipping and unwanted distortion. With
Apogee's SoftLimit, you can maximize digital output levels
without overs.
A New Generation of Apogee 2x2
APOGEE DIGITAL • Santa Monica, CA • www.apogeedigital.com • 310 915.1000
The all new CODA: Audio Finishing Module, including the
Aptomizer, Sample Rate Conversion (SRC), and UV22HR
As higher definition audio becomes ever-present in the recording
process and music continues to be delivered as a product at
44.1kHz/16-bit you need tools to minimize the loss of detail and
quality that can be inherent in the course of music production. To
meet these challenges Apogee has developed CODA. Unique
to the Rosetta 200, CODA offers a trio of tools that will preserve
AUDIO FINISHING MODULE
Apotimizer you can maximize levels with out increasing
noise and distortion. Great for recording, and mastering,
the Apotimizer's "Learn" mode allows the Rosetta 200
to automatically determine the optimum level, and use it
consistently to normalize incoming audio. Another aspect of
CODA is premium sample rate conversion (SRC). In the past,
Apogee hardware has not offered sample rate conversion
because the results were disappointing but recent advances
have made SRC a viable option and now a vital part of CODA.
With Apogee's implementation of sample rate conversion
you can up or down sample without noticeably affecting the
quality of your audio. Apogee's UV22HR dithering technology
completes the CODA triangle by offering powerful reduction of
high-resolution digital audio to 16 bits for the Internet and CD
mastering. It is estimated that UV22HR is used on 8 out of 10
commercially released CDs in the U.S. The Rosetta 200 with
CODA on board provides an end-to-end solution for capturing
and optimizing high definition digital.
Intelliclock: Dual Stage Jitter Reduction
Another essential for outstanding digital recording is
maintaining an ultra-low-jitter, clock signal. To accomplish
this, ROSETTA 200 utilizes Apogee's Intelliclock. Intelliclock is
really two clocks in one. A fast-responding ´read´ clock, with a
wide locking range, fills a dedicated FIFO buffer, while an ultra-
low-jitter ´write´ clock writes the data out of the buffer, and is
used to clock the converters.
the integrity of hi-def
recordings with a minimal
loss of quality.
Heading up the CODA
threesome is Apogee's
"Aptomizer". With the