Duncan STUDIO BASS Manual do utilizador - Página 4
Procurar online ou descarregar pdf Manual do utilizador para Pedal de música Duncan STUDIO BASS. Duncan STUDIO BASS 12 páginas. Compressor
Compression – This knob is the heart and
3
soul of the Seymour Duncan Compressor
as it determines the amount to which you
will limit the dynamic range. You will need
to carefully balance your Compression and
Attack settings. If you turn the Compression
to maximum, you will want to keep the
Attack control at or near minimum to avoid
pumping, breathing or other unnatural
artifacts. To some degree, you can offset
these effects by using the Blend control
to bring uncompressed signal back into
the mix.
Attack – This crucial control regulates how
4
quickly the compressor reacts to your initial
pick attack with the circuit acting to compress
the input signal. For increased dynamics,
a higher setting will give a late attack that
allows your pick or finger dynamics to come
through before the compression kicks in.
Volume – Always important, this knob can
5
be used to achieve the desired level balance
between the sound though the compressor
and the bypassed sound. Balance this with
the sustain knob to provide as natural an
effect as possible. Alternatively, to use the
Studio Bass as a clean boost, set the output
to a higher setting and lower the amount
of compression.
Status LED – Indicates when the Studio
6
Bass Compressor is active. LED is on when
the unit is engaged, off when in true by
pass mode.
True Bypass Footswitch – Removes the
7
circuit from your bass' signal via a hardwired
connection from the input jack to the output jack.
Input Jack – Plug in your bass or other
8
pedal cable here.
Output Jack – Run a cable to the input of
9
your amp or to the next effect in your chain.
Power Jack – We designed this pedal to be
10
convenient. You can use any 9V to 18Vdc
regulated adapter (negative polarity center
terminal).
Easy Access Battery Door – When pedal is
11
not in use, save your battery life by removing
your cable from the input jack.