Olympus Stylus 100 Wide Manual de instruções - Página 8
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FLASH PHOTOGRAPHY
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Night Scene Flash
Use this mode to clearly shoot a subject in the foreground
and a night scene in the background.
Closing the lens barrier restores the Auto Flash mode.
Since a slow shutter speed (as low as 4 seconds) is selected both
in the Night Scene Flash and Red-Eye Reduction Night Scene Flash
modes, use a tripod to prevent camera shake.
This mode cannot be combined with the Spot Metering mode.
FLASH PHOTOGRAPHY
Red-Eye Reduction Night Scene Flash
Use this mode to take pictures of people with a night scene
background while reducing "red-eye." Except for the pre-
flashes, this mode is the same as the Night Scene Flash mode.
Closing the lens barrier restores the Auto Flash mode.
Since a slow shutter speed (as low as 4 seconds) is selected both
in the Night Scene Flash and Red-Eye Reduction Night Scene Flash
modes, use a tripod to prevent camera shake.
This mode cannot be combined with the Spot Metering mode.
EXPOSURE MODES
Setting the Exposure Mode
This camera has three exposure modes. Choose the mode
that best suits the conditions and your requirements.
How to select the mode
Press the flash exposure button
(
/ ). The mode switches in the
order shown below. The selected
mode is displayed on the LCD panel.
Mode display Exposure mode
Function
No
Auto
display
Use this mode in ordinary situations.
Exposure
Spot
To precisely set the focus and
Metering
exposure for each subject.
Infinity
To shoot scenery through a window.
Spot Metering
Position the spot marks on the area where you want to
measure the light.
Press the shutter release button
halfway; the green lamp lights and the
focus and exposure are locked on that
area. Reframe your subject and press
the shutter release button all the way.
Spot marks
Closing the lens barrier restores the Auto Exposure mode.
Infinity
The camera automatically sets the working distance at infinity.
The flash does not fire except in the
Fill-In Flash mode.
Closing the lens barrier restores the Auto Exposure mode.
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