DigiDesign 1622 O Manual de instalação - Página 10

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Set the track input to the 1622 I/O input
2
channel you just set in the Other Options
dialog.
Play the instrument at maximum vol-
3
ume, sending a steady signal to the
1622 I/O. (You will not be able to hear the
input signal while adjusting your levels in
this dialog, but you can see the levels on
the input meters on the 1622 I/O.)
Note where the instrument output signal
4
registers on the on-screen meters in
Pro Tools.
Return to the Other Options dialog (Set-
5
ups > Hardware > Other Options) and ad-
just the appropriate channel input trim
slider to increase or decrease gain as neces-
sary. Repeat until you are able to achieve
maximum signal level without clipping.
Repeat as necessary for other instru-
6
ments/inputs.
Click Store, then Done.
7
Click OK when you have finished.
8
Clicking Store in the Other Options dialog
saves input trim level, output line level, and
sample rate settings in non-volatile memory
so that the 1622 I/O will retain them when
used in stand-alone mode.
Adjusting 1622 I/O input levels
6
1622 I/O

Setting Up Your Studio

The diagrams below provide suggestions
for connecting studio gear to your system.
The first illustrates a studio setup with the
1622 I/O connected to a mixing console,
with effects and other gear routed into the
console as well. The second diagram illus-
trates a setup without a mixer, where ef-
fects processors and monitoring gear are
connected directly to the 1622 I/O.
Analog
Audio
Analog
Outputs 1-2
Audio Inputs 1-16
(15-16 on front panel)
Channel
Outputs 1-16
Tape Returns
or Inputs 1-2
Instruments
Connected to Console
A typical studio configuration with a mixer
Mic Preamp,
Direct Box, Synth, etc.
Analog
Analog
Outputs 1-2
Audio
Inputs 1-14
(15-16 on front panel)
A typical studio configuration without a mixer
S/PDIF Digital Input/Output
To DAT Recorder
DAT Recorder
Effects Devices
Power Amp
and Speakers
Power Amp
and Speakers
Audio
S/PDIF Digital Input/Output
To DAT Recorder
DAT Recorder