Yamaha AW2816 Tutorial - Página 13

Procurar online ou descarregar pdf Tutorial para Instrumento musical Yamaha AW2816. Yamaha AW2816 31 páginas. Professional audio workstation, recording101
Também para Yamaha AW2816: Manual de operação (2 páginas), Manual de atualização (2 páginas), Manual (32 páginas)

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1. Recording on the Aw2816

Mixdown

Step 3. Assembling the mix for

each part

In order to create a balanced mix, we now need to

pay a bit more attention to the details of each track.

• Preset scene

You can recall a preset scene that contains all settings

up through step 3, below. Press the [SCENE] key

(press the [F1] key to select the Scene Mem page if

necessary), and use the [DATA/JOG] dial to select

scene number 03 "STEP3 MIX." Move the cursor to

"RECALL" and press the [ENTER] key. When the con-

ﬁrmation message appears, select "OK" and press the

[ENTER] key. To return to the VIEW screen, press the

MIXER section [VIEW] key.

If you want to leave the VIEW screen displayed while

doing this, use the SCENE MEMORY section [

[

] keys to select the scene that you want to recall.

(The scene number and title will be displayed in the

upper right of the screen.) Next, press the [RECALL]

key, and when the conﬁrmation message appears,

select "OK" and press the [ENTER] key.

During the mix process, you will frequently be turning

channels on/off so that you can hear just a certain part

by itself, or together with speciﬁc other tracks. You

might think of using the Solo function to do this, but

in this case, this would require you to change the set-

tings of the Solo function by accessing the SET UP

screen/Solo Setup page, and setting STATUS to MIX-

DOWN SOLO, and LISTEN to AFTER PAN. At this

stage of the mixdown, you need to hear the tracks

with the EQ, dynamics, and other effects applied.

Normally when you use the Solo function to monitor,

you will hear only the "dry sound" of a track. At this

stage, listening to the dry sound would not be very

helpful.

Channels 1/2: Bass drum and

snare drum

By applying a 3.5 dB boost to the LOW region below

70 Hz, we will fatten the resonance of the kick drum

shell. Next, we raise the HI-MID 4.23 kHz region by

4.5 dB to emphasize the character of the kick drum

skin. After than, we lower the L-MID 223 Hz region

by 4.5 dB to cut the sympathetic vibration of the kick

(bass drum), minimizing the unwanted resonance.

Next is the snare drum. By adding a 5.5 dB boost to

the HIGH 10.0 kHz region we can increase the sense

of sensation of air. We will lower the 187 Hz region

by 4.0 dB to create a sense of separation in the mix.

All of this produces a snare sound with a light touch.

Press the channel 1 [SEL] key. (Perform the

same operations for channel 2.)

Press the MIXER section [EQ] key. (This dis-

plays the details of the EQ parameter

adjustments.)

Make sure that the EQ is on for the

selected channel. (If it is off, move the cur-

sor to the EQ ON button and press the

[ENTER] key to turn it on.)

Use the cursor keys to set the various EQ

parameters.

• Channel 1: Kick

DYNAMICS Gate

Threshold Range Attack

–23 dB –57 dB

EQ (ATT –4 dB)

LOW

L.SHLF

70 Hz

+3.5 dB

Tutorial

Hold

Decay

0ms

34.8 dB 110 ms

L-MID

H-MID

HIGH

6.3

0.9

H.SHLF

223 Hz

4.23 kHz

10.0 kHz

–4.5 dB

4.5 dB

0.0 dB