Yamaha Clavinova CLP-570 Manual do Proprietário - Página 15
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TRANSPOSITION
The Clavinova's
TRANSPOSER
function
makes
it possible
to shift the pitch of the entire keyboard up or down in semitone
intervals up to a maximum
of six semitones.
''Transposing"?
the pitch of the Clavinova keyboard makes it easier to play in
difficult key signatures, and you can simply match the pitch
of the keyboard to the range of.a singer or other instrumentalist.
The TRANSPOSER/MIDI
button and keys F#s through F#6
on the keyboard are used for transposition.
| PLAYING THE CLAVINOVA
After making sure that the Clavinova's AC plug is properly
'inserted into a convenient AC wall outlet:
1. Press the POWER switch located to the left of the keyboard
to turn the power ON. When the power is turned ON, the
PIANO 1 voice selector LED will light (the PIANO
1 voice
is automatically selected whenever the power is turned ON).
TRANSPOSER/
MIDI
POWER )
1. Press and hold the TRANSPOSER/MIDI
button.
2. Press a key between Fs and F#6 according to the desired
. Initially set the MASTER
VOLUME
control about three
quarters of the way towards the "MAX" setting. Then, when
you start playing, adjust the MASTER VOLUME control for
the most comfortable listening level.
MASTER VOLUME
10117
MINI
4 15
a 4 IMAX
RSR
3. Select the desired voice by pressing one of the voice selectors.
amount of transposition.*
. Release the TRANSPOSER/MIDI
button.
Pressing the C6 key produces normal keyboard pitch. Press-
ing the key to the left of Cs (B5) transposes the pitch of the
keyboard down a semitone, the next key to the left (Bbs) trans-
poses down a whole tone (two semitones), etc., down to the
F#s key which transposes down 6 semitones. Upward trans-
position is accomplished in the same way using the keys to
the right of Ce, up to F#6 which transposes up 6 semitones.
Note: The transpose function has no effect when LOCAL OFF is
active (see 'MIDI FUNCTIONS" on page 14).
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PITCH
CONTROL
CLP-670
Pitch control makes it possible to tune the Clavinova over a
+50-cent range in approximately 3-cent intervals.
A hundred
A,
Qi
m
Cute
LAU,
ain
"cents" equals one semitone, so the tuning range provided
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allows fine tuning of overall pitch over a range of approximately
CLP-570
a semitone. Pitch control is useful for tuning the Clavinova
+
to match other instruments or recorded music.
4. Play.
Tuning Up
Le.
|
The CLP-670 has 32-note polyphony* and the CLP-570 has
1. To tune up (raise pitch), hold the A-1 and B-1 keys simul-
taneously.
16-note polyphony. This means that you can play up to 32
or 16 notes at once, respectively. The Clavinova also offers
2. Press any key between C3 and B3. Each time a key in this
keyboard touch response, so the volume and timbre of notes
range is pressed the pitch is increased by approximately 3
played can be controlled according to how "hard" you play
cents, up to a maximum
of 50 cents above standard pitch.
the keys. The amount of variation available depends on the
3. Release the A-1 and B-1 keys.
selected voice.
* The CLP-670 allows up to 16 notes to be played at once when
the PAN, DETUNE, TREMOLO
or DUAL effects are used.
5. You can also add BRILLIANCE, REVERB and/or EFFECTs
Tuning Down
1.
To tune down (lower pitch), hold the A-1 and A®-1 keys
simultaneously.
(EFFECT control on CLP-670 only) as desired by using the
2. Press any key between C3 and B3. Each time a key in this
BRILLIANCE, REVERB and EFFECT controls (see "THE
range is pressed the pitch is decreased by approximately 3
CONTROLS AND CONNECTORS"
on page 11).
cents, up to a maximum of 50 cents below standard pitch.
3. Release the A-1 and Af-1 keys.
REVERB
EFFECT
2.
BRILLIANCE
OFF PEDAL ROOM HALL COSMIC
OFF PAN DETUNE TREMOLO DUAL
To Restore Standard Pitch*
MELLOW
|
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J| BRIGHT
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il
D
f
1
L
i
1
—
«x
—
Ch)
1. To restore standard pitch (A3 = 440 Hz), hold the A-1, Af-1
E
:
B
and B-1 keys simultaneously.
Quam
—
suene
2. Press any key between C3 and B3.
CLP-670
3. Release the A-1, Af-1 and B-1 keys.
*
Standard pitch (A3 —440 Hz) is automatically set whenever
the POWER
switch is initially turned ON.
Note: The pitch control function has no effect when LOCAL OFF
is active (see "MIDI FUNCTIONS" on page 14).
—
l l l
For Pitch Control (A-1+B-1/A-1+A8-1)
For Pitch Control (C3
— Ba}
For Transposition (Fits - Fe)
13