Yamaha S70 XS Manual - Página 11

Procurar online ou descarregar pdf Manual para Teclado eletrónico Yamaha S70 XS. Yamaha S70 XS 12 páginas. Music production and performance
Também para Yamaha S70 XS: Brochura e especificações (2 páginas), Manual de instalação (6 páginas), Brochura e especificações (6 páginas), Manual (4 páginas)

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•

Select "COMMON" > press [ENTER]

•

Select "EQ" > press [ENTER]

Here you will have access to the 3-band (front

panel) EQ and the MASTER EQ

•

Select "MASTER EQ" > press [ENTER]

Conclusion and final thoughts

Signal flow is the most important thing to get a

handle

when

you

understanding of audio. This is particularly true

when it comes to affective effect processing. The

XS uses professional mixing console routing as the

basis for how signal flows through the synthesizer.

A Voice or Part is like a musician playing an

instrument. So imagine a guitar player with a

wah-wah pedal, and a combo amp. These are like

his Insertion effects... He inserts the guitar into

the wah-wah pedal and then to his combo amp.

Insertion Effects are controllable in real time by

the player – and this is an essential part of

performing. That is the guitar Voice in Voice

mode.

Now take that player and his rig to a recording

studio. This would be the MULTI mode. When you

activate the INSERTION SWITCH for the PART

containing the Guitar Voice, it is like the player

brought along his wah-wah pedal and combo

amplifier from home. And they will be able to

manipulate them in real time as they perform.

In the studio (MULTI) mode they are plugged into

the console, the guitar channel has two auxiliary

sends. One connects to the studio's reverberation

chamber, the other send can be routed to some

sort of delay/chorus/flanger (as may be required

by the session).

That is what you have here in the XS. Real time

control over personal effects, and a send/return

situation with the System Effects.

Now to continue with this analogy, if you route a

signal to a direct out on a mixing console, you

interrupt the signal in the patchbay... this takes

that channel out of the main mix and allows you

to route it, in isolation, to some other destination.

This interruption removes that channel from the

auxiliary sends (the ones feeding the Reverb and

the Chorus processors), but you would be doing

this interruption precisely because you are going

to process the signal in isolation, separately.

When you take a PART of your MULTI program

and route it to any of the assignable outputs, it is

removed from the main stereo mix, and it no

longer is pooled with the others via the aux sends

to the studio's effects.

are

seeking

better

Routing a channel to a direct output is done when

you have something you want to do to it in

isolation.

The effect routing in the XS Voice is one of the

reasons you can make it sound so good. A Voice

can be one or more instruments combined –

remember a Voice is made up of as many as 8

Elements. Each Element can be an instrument or a

part

instrument.

1:018(B02) Piano & Strings is an 8 Element

Voice where Elements 1-4 make up the piano and

Elements 5-8 make up the strings. Because of the

intricate routing within the Voice architecture, the

four Elements of the piano go to INSERTION A

(setup as the VCM EQ 501) while the four

Elements of the strings go to INSERTION B (setup

as a separate VCM EQ 501) – this is an example

of how when setup in parallel each instrument in

this

combined

equalizer. Volume can be controlled separately:

The Assign 1 knob controls the volume of the

string Elements, while Assign 2 controls the

volume of the piano Elements. The Mod Wheel is

assigned to increase the Element level of the

strings – so it can be used to intensify the strings.

The [AF1] button will cause an increase in the

reverb Send of all Elements together to the

Reverb chamber, while [AF2] will cause a longer

release time on the amplitude envelope of all

Elements.

You can explore the assignment of controllers and

discover how some of the PRESET Voices were

programmed

S90XS/S70XS Editor.

The

VOICE:

Voice

has

its

own

beginning

explore

Phil Clendeninn

Senior Technical Sales Specialist

Product Support Group

Pro Audio & Combo Division

PRE

powerful

the