DV Mark Little 40L6 Руководство пользователя - Страница 4
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1) INPUT Connect your guitar to this input using a standard ¼" shielded instrument cable.
2) 0/-6dB SWITCH This switch pads the input (1) from 0 dB to -6 dB to compensate for higher output sources, such as guitars with high-
output pickups or active electronics.
3) GAIN This knob sets the gain level, and is the preamp's most powerful control. It not only determines the amount of drive or saturation (for
getting clean, crunch or overdriven sounds, or anywhere in between), but also plays an important role in tone shaping.
4) BASS This knob controls the amount of low frequencies in your sound. When you're starting to explore sounds on the amp, avoid boosting
the lows too much as this can reduce your attack and muddy your sound—especially as you turn up your gain.
5) MIDDLE The Middle control regulates the midrange frequencies and is an important part of your tone shaping. The frequency range it
boosts or cuts has a big effect on the character of your sound. For a more scoopy tone, lower the mids. Turn the knob up for more focused
attack and better pitch definition.
6) HIGH The High knob controls the amount of high frequencies in your sound. It can produce unwanted noise (hiss) or pickup feedback when
really cranked, so it's best to avoid extreme settings.
7) MASTER This control is the master feed from the end of the preamp channel to the tube power stage. It allows you to obtain a wide range
of sounds/colours in relation to your gain setting—for example, very low gain sounds at high volumes, or high gain sounds at low volumes.
8) PRESENCE The Presence knob controls high frequencies, above those controlled by the High knob. It's an effective and useful part of the
amp's tone controls. Turn the presence up for crisp, sparkling clean sounds, crunchy rhythm sounds and aggressive riffs; lower it for darker,
rounder sounds and focused single-note lead playing.
9) CONTINUOUS POWER CONTROL (CPC) This patent pending feature allows you to control the actual power of the amp, from full power
40W (class A/B) gradually down to 1W (class A) in Pentode mode—or 15W (class A/B) to 0.5W (class A) in Triode mode. This allows users
to get the tone they want at any volume for any musical situation.
10) BOOST The +10 dB boost control is activated by a footswitch that connects to the rear panel. This functions as a second drive channel.
With the right gain setting, it lets you change from a clean sound to an overdriven or distorted sound.
11) STANDBY Before powering on, make sure this switch is in standby position. When you turn on the power, the microcontroller waits for
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