Gainlab Audio GLA-TC2 Руководство - Страница 6

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INPUT LEVEL SWITCH

OUTPUT LEVEL SWITCH

COMPRESSION RATIO, BYPASS

HICOMP position, we can hear a much higher rate of compression, the refraction

curve of which is also much more angular. This mode is especially recommended for

sound design purposes, as well as on buses and tracks where you want to make the

dynamics control audible speciﬁcally. At a high threshold value, it is used for buses

intended to be coarser-sounding, and for tracks whose saturation and thickening

may be necessary for mixing. In BYPASS mode, the device galvanically connects its

outputs and inputs, so we can always check the sound of the compression

DICTATOR DUAL MONO VARI-μ

With the help of the input signal level controller, it is possible

to increase the signal level entering the device if, for

example, it does not reach the lowest interference threshold

level, or if we want to achieve additional gain on the input

for any reason. To adjust the input signal level, turn the

control knob clockwise until the mark on the control

knob points in the direction of the desired boost level.

As a result of the dynamics control, the level of the output

signal of the device suffers a certain level decrease, this is

the case with most dynamics control devices, this is a

normal phenomenon. The output signal level controller

provides an opportunity to compensate for this signal level

loss. To compensate for the output signal level, turn the

output signal level control clockwise until the mark on

the control knob points in the direction of the desired

compensation value.

In the case of the DICTATOR Dual Mono, unlike the most

dynamics controllers based on classical electron tube circuits, it

is possible to select two types of compression ratios. In the

LOCOMP position, we get the sound of a classic tubular

compressor such as the Farchild 670 and so on. Generally, this

mode is recommended for use on a combiner and master bus,

and for compressing tracks wich contains ﬁne details. In the