Yamaha Acoustic Дополнительное руководство - Страница 5
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Amp Simulator
DG Series amp sound. Mainly used for direct connection to power amp.
Speaker simulator allows direct recording.
Parameter
Display
Amp Type
AMP
Gain
GAIN
Master
MSTR
Tone
TONE
Treble
TRE
High Middle
HMID
Low Middle
LMID
Bass
BASS
Presence
PRE
Speaker
SP
Simulator
N. G. Threshold
NGTH
N. G. Attack
NGAT
N. G. Hold
NGHL
N. G. Decay
NGDC
Chorus
Chorus effect.
Parameter
Display
Wave
WAVE
Freq.
FREQ
AM Depth
AMDP
PM Depth
PMDP
Mod. Delay
MDT
LSH Freq.
LSHF
LSH Gain
LSHG
EQ Freq.
EQ.F
EQ Gain
EQ.G
EQ Q
EQ.Q
HSH Freq.
HSHF
HSH Gain
HSHG
Mix
MIX
Symphonic
Symphonic effect.
Parameter
Display
Wave
WAVE
Freq.
FREQ
Depth
DPT
Mod. Delay
MDT
LSH Freq.
LSHF
LSH Gain
LSHG
EQ Freq.
EQ.F
EQ Gain
EQ.G
EQ Q
EQ.Q
HSH Freq.
HSHF
HSH Gain
HSHG
Mix
MIX
Range
Heavy1, Heavy2, Lead1, Lead2,
Drive1, Drive2, Crunch1,
Crunch2, Clean1, Clean2, Solid
0.0 to 10.0
0.0 to 10.0
0.0 to 10.0
0.0 to 10.0
0.0 to 10.0
0.0 to 10.0
0.0 to 10.0
0.0 to 10.0
Off, American 412, British 412,
Modern 412, YAMAHA 412, Hybrid
412, American 212, British 212,
Modern 212, YAMAHA 212, Hybrid
212, American 112, Modern 112,
YAMAHA 112, Hybrid 112, 410,
210
0.0 to 10.0
0 to 120 ms
0.02 to 2040 ms
6 to 44500 ms
Range
Sine, Triangle
0.05 to 40.00 Hz
0 to 100%
0 to 100%
0.0 to 500.0 ms
21.2 Hz to 8.00 kHz
–12.0 to +12.0 dB
100 Hz to 8.00 kHz
–12.0 to +12.0 dB
10.0 to 0.10
50.0 Hz to 16.0 kHz
–12.0 to +12.0 dB
0 to 100%
Range
Sine, Triangle
0.05 to 40.00 Hz
0 to 100%
0.0 to 500.0 ms
21.2 Hz to 8.00 kHz
–12.0 to +12.0 dB
100 Hz to 8.00 kHz
–12.0 to +12.0 dB
10.0 to 0.10
50.0 Hz to 16.0 kHz
–12.0 to +12.0 dB
0 to 100%
Amp type
Adjusts the amount of distortion
Adjusts the volume
Adjusts the tone
Adjusts level of high range frequencies
Adjusts level of upper mid frequencies
Adjusts level of lower mid frequencies
Adjusts level of low frequencies
Adjusts level of extremely high frequencies
When using a line connection to connect directly to a mixer, this can be
used to simulate the natural characteristics of a speaker giving the tone
a more natural sound
Level at which the noise gate activates
Time required for the noise gate to open after signal exceeds threshold
Time noise gate stays open
Time required for the noise gate to close after signal goes below thresh-
old
Modulation waveform
Modulation speed
Amplitude modulation depth
Pitch modulation depth
Modulation delay time
Low shelving filter frequency
Low shelving filter gain
EQ (peaking type) frequency
EQ (peaking type) gain
EQ (peaking type) bandwidth
High shelving filter frequency
High shelving filter gain
Mix level
Modulation waveform
Modulation speed
Modulation depth
Modulation delay time
Low shelving filter frequency
Low shelving filter gain
EQ (peaking type) frequency
EQ (peaking type) gain
EQ (peaking type) bandwidth
High shelving filter frequency
High shelving filter gain
Mix level
5
Description
Description
Description