Yamaha Clavinova CLP-270 Список данных - Страница 35

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Address
Size
Data
(H)
(H)
(H)
74
1
NOT USED
75
1
NOT USED
76
1
04-28
EQ BASS FREQUENCY
77
1
1C-3A
EQ TREBLE FREQUENCY
78
1
NOT USED
78
1
NOT USED
7A
1
NOT USED
7B
1
NOT USED
7C
1
NOT USED
7D
1
NOT USED
7E
1
NOT USED
7F
1
NOT USED
TOTAL SIZE
0C
0A
nn
40
1
00-7F
MW OFFSET LEVEL CONTROL
41
1
00-7F
BEND OFFSET LEVEL CONTROL
42
1
00-7F
CAT OFFSET LEVEL CONTROL
43
1
00-7F
PAT OFFSET LEVEL CONTROL
44
1
00-7F
AC1 OFFSET LEVEL CONTROL
45
1
00-7F
AC2 OFFSET LEVEL CONTROL
TOTAL SIZE
06
nn = PART NUMBER
If there is a Drum Voice assigned to the part, the following parameters are ineffective.
• BANK SELECT LSB
• PORTAMENTO
• MONO/POLY
• SCALE TUNING
• POLY AFTER TOUCH
• PITCH EG
MIDI Parameter Change table (DRUM SETUP)
Address
Size
Data
(H)
(H)
(H)
3n
rr
00
1
00-7F
PITCH COARSE
01
1
00-7F
PITCH FINE
02
1
00-7F
LEVEL
03
1
00-7F
ALTERNATE GROUP
04
1
00-7F
PAN
05
1
00-7F
REVERB SEND
06
1
00-7F
CHORUS SEND
07
1
00-7F
VARIATION SEND
08
1
00-01
KEY ASSIGN
09
1
00-01
Rcv NOTE OFF
0A
1
00-01
Rcv NOTE ON
0B
1
00-7F
LOW PASS FILTER CUTOFF
FREQUENCY
0C
1
00-7F
LOW PASS FILTER RESONANCE
0D
1
00-7F
EG ATTACK RATE
0E
1
00-7F
EG DECAY1 RATE
0F
1
00-7F
EG DECAY2 RATE
TOTAL SIZE
10
20
1
00-7F
EQ BASS GAIN
21
1
00-7F
EQ TREBLE GAIN
22
1
NOT USED
23
1
NOT USED
24
1
04-28
EQ BASS FREQUENCY
25
1
1C-3A
EQ TREBLE FREQUENCY
26
1
NOT USED
27
1
NOT USED
28
1
NOT USED
29
1
NOT USED
2A
1
NOT USED
2B
1
NOT USED
2C
1
NOT USED
2D
1
NOT USED
TOTAL SIZE
0E
n: Drum Setup Number (0-1)
rr: note number (0D-5B)
In the following cases, the Clavinova will initialize all Drum Setups.
XG SYSTEM ON received
GM SYSTEM ON received
GM LEVEL 2 SYSTEM ON received
GS RESET received
DRUM SETUP RESET received (only when in XG mode)
When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.
If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all parts to which it is assigned.
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
Parameter
Description
32...2.0k[Hz]
500...16.0k[Hz]
-100...0...+100[%]
-100...0...+100[%]
-100...0...+100[%]
-100...0...+100[%]
-100...0...+100[%]
-100...0...+100[%]
Parameter
Description
-64...0...+63
-64...0...+63[cent]
0...127
OF, 0...127
RND, L63...C...R63
0...127
0...127
0...127
SINGLE, MULTI
OFF, ON
OFF, ON
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-12dB...+12dB
-12dB...+12dB
32...2.0k[Hz]
500...16.0k[Hz]
[MIDI (CLP)]
MIDI Reception
(effective or no for each part)
XG Default
Main
(H)
Layer
Song
Keyboard
Left
Left-layer
–
–
–
–
–
–
0C
Ø
Ø
˛
36
Ø
Ø
˛
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
40
Ø
˛
˛
40
Ø
˛
˛
40
Ø
˛
˛
40
Ø
˛
˛
40
Ø
˛
˛
40
Ø
˛
˛
[MIDI (CLP)]
MIDI Reception
(effective or no for each part)
XG Default
Main
(H)
Layer
Song
Keyboard
Left
Left-layer
40
Ø
˛
˛
40
Ø
˛
˛
Depends on the note
Ø
˛
˛
Depends on the note
Ø
˛
˛
Depends on the note
Ø
˛
˛
Depends on the note
Ø
˛
˛
Depends on the note
Ø
˛
˛
7F
Ø
˛
˛
00
Ø
˛
˛
Depends on the note
Ø
˛
˛
01
Ø
˛
˛
40
Ø
˛
˛
40
Ø
˛
˛
40
Ø
˛
˛
40
Ø
˛
˛
40
Ø
˛
˛
40
˛
˛
˛
40
˛
˛
˛
–
–
–
–
–
–
0C
˛
˛
˛
36
˛
˛
˛
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
[Internal Sequencer]
MIDI Transmission
PLAY
(generated data)
Panel
(main generation
Song
MIDI
PLAY
method)
–
–
–
–
–
–
–
–
–
–
Ø
Ø
˛
Ø
(Voice Setting)
Ø
Ø
˛
Ø
(Voice Setting)
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
[Internal Sequencer]
MIDI Transmission
PLAY
(generated data)
Panel
(main generation
Song
MIDI
PLAY
method)
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
˛
˛
˛
˛
˛
˛
˛
–
–
–
–
–
–
–
–
–
–
˛
˛
˛
˛
˛
˛
˛
˛
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
CLP-280/270 Data List
REC
Recorded
REW
from panel
–
–
–
–
Ø
Ø
Ø
Ø
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
Ø
˛
REC
Recorded
REW
from panel
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
–
–
–
–
˛
˛
˛
˛
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
35