3 Leaf Audio Chromatron Hızlı Başlangıç Kılavuzu - Sayfa 2
Su Filtrasyon Sistemleri 3 Leaf Audio Chromatron için çevrimiçi göz atın veya pdf Hızlı Başlangıç Kılavuzu indirin. 3 Leaf Audio Chromatron 2 sayfaları. State variable filter
Sayfayı YazdırINPUTS/OUTPUTS
Plug your instrument into the INPUT jack and your amp into
the OUTPUT jack.
The FX SEND and RETURN allow you insert any number of
effects between the Chromatron's envelope detector and filter
sections. This is useful because - for instance - you could put
a volume-boosting distortion or dynamics-squashing fuzz into
the FX loop, and your clean signal at the input jack will trigger
the envelope detector while the filter is still last in the signal
chain.
Run a cable from fx send to the input of an effect, and run
another cable from the output of that effect to fx return. The
Chromatron is still triggered by the signal from the in jack, but
the filter affects the signal coming through the fx return jack.
This is particularly useful with dynamics-killing effects like fuzz.
The FX loop can also be used with external triggers. If you plug
your instrument into fx return, whatever is plugged into the in-
put jack will trigger the filter. You can use anything as an exter-
nal trigger; the possibilities are unlimited.
When the FX LOOP toggle switch is on, the pedals in the loop
will remain in your signal chain when the Chromatron is by-
passed. When off, the pedals in the loop are bypassed along
with the Chromatron.
The MODE footswitch toggles between envelope and expres-
sion control modes. Use a TRS cable to plug your favorite ex-
pression pedal (I recommend the Dunlop DVP3) into the EXP
jack and you can manually control the filter cutoff frequency.
Only use an expression pedal with the standard voltage-on-
ring configuration.
In expression control mode, the RESPONSE, ATTACK and
DECAY knobs are disabled, and the TONE knob sets the cut-
off frequency when the pedal is all the way in the toe position.
WARRANTY The Chromatron is guaranteed against de-
fects for one year. The warranty covers the pedal under
normal use, not abuse. If you need to send your pedal in
for repair, send me an email.
CONTROLS
RESPONSE is the sensitivity of the filter to your playing dy-
namics. Start with the sensitivity at minimum and turn up until
the filter responds to your liking. This is the most important
knob on the pedal!
ATTACK sets the speed at which the filter opens up. Lower
settings produce a fast, snappy attack similar to , while higher
settings produce a slow, fat "wah" sound.
In reverse sweep mode, ATTACK sets the minimum cutoff fre-
quency of the filter.
DECAY sets the speed at which the filter closes back down.
Higher settings allow the filter to stay open longer, while lower
settings produce quicker, more "bubbly" envelope sounds.
TONE adjusts the maximum cutoff frequency of the filter.
Think of it like the tone knob on a guitar.
MIX blends your clean input signal with the filter output.
RESONANCE sets the amount of feedback in the filter sig-
nal path. Higher settings produce a larger resonant peak at the
filter's cutoff frequency, which makes the filter sound more
prominant. Be careful: higher resonance settings cause sharp
peaks that can damage speakers at high volumes.
BOOST is a post-filter gain stage.
RANGE sets the broad frequency range of the filter. Both
positions have been fine-tuned to sound great in a variety of
contexts.
SWEEP toggles between normal and reverse filter modes. In
the up position, the filter sweeps normally. In the down posi-
tion, the sweep is reversed. You may need to change the set-
tings of the attack and decay knobs for best results.
BAND toggles between low pass and band pass responses.
Down is low pass - a deep, full sound that retains all your low
end. Up is band pass - a more agressive sound that cuts low end
as the filter opens up. Try mixing in some clean signal in band
pass mode for a dramatic sound that retains low end.