Yamaha THR5 Manuel - Sayfa 14

Amplifikatör Yamaha THR5 için çevrimiçi göz atın veya pdf Manuel indirin. Yamaha THR5 14 sayfaları. Thr series
Ayrıca Yamaha THR5 için: Kullanıcı El Kitabı (21 sayfalar), Kullanıcı El Kitabı (23 sayfalar), Kullanıcı El Kitabı (22 sayfalar), Kullanıcı El Kitabı (20 sayfalar), Kullanıcı El Kitabı (20 sayfalar), Hızlı Başlangıç Kılavuzu (5 sayfalar)

Sayfayı Yazdır

Why THR is different: Our sound

doesn't start with the tone...

Think of THR kind of like a hand-wired amp from a tiny

boutique amp maker. It's just not hand-wired. Or from a

tiny boutique amp maker. You see, instead of spending

their days with a soldering iron and a box full of com-

ponents, our amp developers have a slightly different

toolkit – VCM.

VCM, or Virtual Circuitry Modeling, is a proprietary

physical modeling technology developed by K's Lab, one

of Yamaha's most progressive engineering groups. K's

Lab's goal with VCM was to push digital signal process-

ing beyond the realms of simulating superficial sound

characteristics and into the muddy waters where an-

alogue equipment reigns supreme – musicality. Using

the techniques developed to make the world's first

commercially available physical modeling synthesizer,

the VL-1, VCM uses powerful Digital Signal Processing

(DSP) technology to create virtual circuits that precisely

replicate the behavior of analog circuits and their ef-

fects on the signals passing through them – including

even the most mythical of all analog components, the

vacuum tube.

Most digital signal processors, amps and effects start

with the tone - using their DSP power to modify the

output of their audio circuit in an attempt to make it

sound a certain way. While this can create a passable

'static' version of the desired sound, this method misses

the things that define the best analog signal processors

– the perfect combination of response, dynamics and

tone that give analog circuits a three-dimensional feel

and, more often than not, a 'sweet-spot' where it just

all comes together. The theory of VCM is that by using

DSP to create a virtual circuit path for the audio to pass

through, not only will the tone be right but the VCM

circuit will also recreate those intangible elements of re-

VCM Technology

sponse and dynamics that combine with tone to create

the holy grail of signal processing – true musicality. By

refining the complex physical modeling algorithms that

allowed the VL-1 to generate natural tones, VCM is able

to model the precise behavior of each element in a cir-

cuit and therefore the exact changes that circuit makes

to a signal passing through it. VCM is even powerful

enough to model the tonal and dynamic changes that

result from the way a power amp interacts with a partic-

ular speaker cabinet. And this isn't just a marketing-de-

partment invention - Google 'damping factor' and you'll

start to see why the power of VCM helps make THR feel

like a big, cranked amp. Without taking it into account,

an amp just won't feel right...

But as with most things, it's not a case of good or bad

– just different. And that's where the real power of VCM

comes in. While physical modeling techniques are an

impressive technical tool that can be used like a car-

bon-copy machine for circuits, we think of it more like

a virtual soldering iron in our engineer's hands. Thanks

to the incredible power and accuracy of the VCM algo-

rithms that power THR, individual virtual components

can be changed or tweaked for each amp model based

on what sounds, feels and works better - effectively

creating modified circuits that combine elements from

different amps to make new, unique amp models that

are far more than blind, soulless simulations of other

people's designs.

If you want to know what that really means to you, as

a player, try diming the master control on one of THR's

low-power amp models. Sure, it has amazing tone – but

it's the feel that you'll notice. The tone's really nothing

more than a bi-product. Just like any great amp.

Amp Model Descriptions / Specifications

Amp model descriptions

CLEAN:

Rich clean tones from a 6L6 power section with early breakup for incredible jazz, blues and country sounds.

CRUNCH:

Low-powered EL84 class-A tube output with bright, clear, dynamic power amp distortion characteristics.

LEAD:

Low-gain preamp section and EL34 power section for rich, controllable distortion with great midrange definition.

BRIT HI :

EL34s keep the classic British clarity while a higher gain preamp allows you to push the amp into serious distortion.

MODERN:

Ultra high-gain input section combined with 6L6 output section delivers smooth, powerful distortion

BASS:

High-power all-tube design for dynamic, driving bass tone.

ACO:

Electric-acoustic optimized input with mic simulations for natural, clear tone.

FLAT:

Flat response clean input for line sources, tone and effect controls allow shaping of non-guitar sources.

DELUXE:

Twin 6L6 output stage and low gain preamp for clean tube warmth with late-breakup

CLASS A:

4xEL84s in a true Class-A configuration with interactive EQ for rich, complex harmonic tones and warm overdrive

US BLUES:

low-power, low-gain twin EL84 design for clarity and definition

BRIT BLUES:

KT88 powered for easy breakup and midrange rich overdrive

MINI:

12AX7, single EL84 – a no-frills tone monster that responds incredibly to picking dynamics

BASS, ACO,

These are the same as on the THR10. Refer to the entries above

FLAT:

POWER I:

"Crunch Ch" European 6L6 and 12AX7 tone for powerful, crunch tones with loads of presence

POWER II:

"Lead Ch" European 6L6 and 12AX7 tone with increased bass and gain for thick, smooth leads

BROWN I:

"Crunch Ch" US 6L6 and 12AX7 tone gives clear, clean overdrive with late breakup and great control

BROWN II:

"Lead Ch" US 6L6 and 12AX7 tone with thicker low-mid response and increased gains for articulate lead tones

SOUTHERN HI: 6550 output tubes and 12AX7-driven preamp with ultra-tight, fast tracking for crushing high-gain

CLEAN:

Classic American clean tube amp – low gain preamp, 6L6 power section and 12-inch speaker with clear, late breakup

BASS, FLAT:

These are the same as on the THR10. Refer to the entries above

CONDENSER:

Electric-acoustic optimized input with mic simulations for natural, clear tone.

DYNAMIC:

The dynamic microphone setting gives the acoustic guitar a tight tonal core.

TUBE:

The tube microphone setting gives the acoustic guitar a rich midrange tone.

NYLON:

Perfect for use with an acousticelectric classical or nylon string guitar.

EG CLN:

Classic American clean tube amp – low gain preamp, 6L6 power section and 12-inch speaker with clear, late breakup

*THR10 only

Specifications

THR10

THR5

Amp Simulations

CLEAN, CRUNCH,

LEAD, BRIT HI,

MODERN,

MODERN

BASS, ACO, FLAT

Effects

CHORUS

FLANGER

PHASER

TREMOLO

DELAY

DLY/REV

SPRING

HALL

TAPE ECHO

—

ECHO/REV

—

COMP

—

CMP/CHO

—

BASS, MIDDLE,

TONE

TREBLE

Chromatic Tuner

User Memory

Connections

INPUT (Standard Monaural Phone Jack), PHONES (Standard Stereo Phone Jack),

Power Source

Speakers

Rated Output

Dimensions (W x H x D)

360 x 183.5 x

271 x 167 x

140mm

120mm

Weight

2.8kg

2.0kg

Accessories

AC Adapter, USB Cable, Stereo Mini Cable, Owner's Manual,

* Specifications and appearance may change without notice.

THR10/5

THR10C

THR10X

THR5A

THR10C

THR10X

THR5A

DELUXE, CLASS A,

POWER I, POWER II,

CONDENSER,

US BLUES,

BROWN I, BROWNII,

DYNAMIC, TUBE,

BRIT BLUES,

SOUTHERN HI,

NYLON, EG CLN

MINI, BASS,

CLEAN, BASS,

ACO, FLAT

FLAT

—

BASS, MIDDLE,

TONE

TREBLE

—

AUX (Stereo Mini Jack), USB 2.0, DC IN

AC Adapter/Battery (AA Batteries x 8)

8cm Full Range x 2

10W (5W + 5W)

360 x 183.5 x 140mm

271 x 167 x

120mm

2.8kg

2.0kg

Cubase AI Download Infomation

—