D&R PA 676 Kullanıcı Kılavuzu - Sayfa 4

Mikser D&R PA 676 için çevrimiçi göz atın veya pdf Kullanıcı Kılavuzu indirin. D&R PA 676 16 sayfaları. 12 or 18 inputchannels / 4 outputchannels

The D & R mixers have been developed in close cooperation with several leading popgroups and stu-

dios in Europe. Some outstanding facts are the conveniently arranged control panel, with just those

possibilities you need, the handable size and solidity, essential for groups on the road, and the highly

competetive price. Not mentioning here the outstanding performance characteristics, which makes this

mixer a fine studio console.

All mixers can be delivered with high impedance line inputs (C-version), or low impedance balanced

microphone inputs (Cl-version), the last using Beyer Dynamic microphone transformers, providing a

200 Ohms balanced input; all inputs and outputs are terminated on the rear panel at 3 pole jack sock-

ets. The Cl-version also having a multipole connector, enabling the use of a remote control cable, in-

corporating the balanced input lines, as well as the master output and fold back output lines. In use

with popgroups, you now can make a good balance of the several instruments sitting with your mixer in

the audience, which is almost impossible on stage; in the studio the remote control cable will link your

recording room with the control room.

All input channels are provided with pre-set volume control, to eliminate overload, three very efficient

equalizers, pre-fader echo-send control, pan-pot, pre-fader fold back volume for monitoring on stage or

through headphones in the studio, cue press-buttons with color-indication for control of the pre-fader

input level on the V.U. meters and through the phones and last but not least high quality 70 mm. Pr6h

faders for linear attenuation of the channel output. Different color-indications on the control-knobs are

provided for convenient discrimination of the several functions.

f nput channel12 (or 18) can be used as echo-return channel, giving it the same possibilities as a normal

input channel. The echo-send control will automaticaly work as Spin, which re-injects a controlled a-

mount of echo-return into the echo-send for reverberation. A simple three heads tape-recorder will now

work as a good echo-unit without any changes.

The two master output groups are provided with Pr6h 70 mm. faders for left and right volume attenuation

seperately, and a stereo rotary pre-set for both channels isalso provided. The fold back line has a mas-

ter volume. Cues for the master outputs in stereo and the fold back output are provided. Break jacks

are incorporated on the two master output groups and connection is by means of 3 pole jacks. High

quality V.U. meters are used.

For internal communication provisions have been made. On the desk is a microphone input situated,

which can be mixed into the fold back line by way of a color-indicated push-button. In this way the tech-

nician can talk to the stage or recording room without interupting the live sound or the recording.

The mixer can be altered very easily, for instance when using a remote control cable, you can alter the

inputs on the back of the mixer in just a few hours into break-jacks, thus obtaining insertion points per

input channel, giving the possibility to use per channelanequalizer, compressor-limiter, etc. Each input

can be altered in a few minutes to low or high impedance inputs. Block-diagram and electrical circuit

are delivered with every mixer. Of course we can do every change and repair ourself, but having all

technical data and the service-friendly framework will give you extra security, so you can perform no

matter l,Yhatever

happens.