AMR 64 Інструкція з експлуатації Посібник з експлуатації - Сторінка 5
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Друкувати сторінкуMonitor Outputs (L & R): These two outputs contain
the same signal information as the Stereo L & R
outputs. This provides the means of sending the
same output signal to a monitor amplifier and
speakers for monitoring purposes. The level of the
monitor signal is controlled separately by its own
Monitor Level Control. The monitor output levels
have been optimized for driving conventional power
amplifiers.
Power Switch and Power On Indicator: This rocker-
type switch is used to apply power to the AMR 64.
The LED Power Indicator will indicate when the
mixer is "on" and power is applied.
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MONITOR
MIXER
Monitor Mixer: This is an independent 4 in by 2 out
mixer that is used primarily for monitoring during
the overdubbing process, A Level Control and Pan
Control are provided on each of the four Inputs on
the Monitor Mixer. This "Monitor Mixer" will allow
you to monitor any or all four Tape Tracks, thereby
keeping all six Inputs free for incoming microphone
or line level signals.
The output signals from the multi-track recorder
(1-4, respectively) will appear on Inputs #1 through
#4 of the Monitor Mixer. Tape Tracks that are
already recorded will appear at the Monitor Mixer
when the recorder is in the Play Mode. Tape tracks
that you are currently recording can be monitored
through the monitor mixer as the recorder will be in
the Record Position (i.e., Record Switch activated).
The normal process of recording will allow you to
monitor any track previously recorded or currently
being recorded through the Monitor Mixer Section
of the AMR 64. The output of this mixer is internally
connected to the L & R Stereo Bus (L & R or Stereo
Output). The monitor level is controlled by the Mon¬
itor Level Control, which obtains its signal from the
L & R Stereo Bus).
The Monitor Mixer can also be used to mix other
signals to the Stereo Bus by connecting external
line level signals into the Input Jacks. When a plug is
inserted into the Input Jack, the recorder output is
lifted and the signal from the Input Plug is accepted.
When the plug is removed, the multi-track recorder
output again appears at the Monitor Mixer Input.
It should also be mentioned that if you desire to
add equalization or effects while monitoring (for
overdubbing purposes), the previously recorded
Tape Tracks can be fed back into Input Channels
1-4 for this purpose by switching the appropriate
Input Source Switch to Tape.
Auxiliary Master Return Control: This controls the
return signal level of any effects device that is con¬
nected to the Auxiliary Return.
Auxiliary Pan Control: This will adjust the balance of
the Auxiliary Return signal across any pair of chan¬
nels selected by the Assign Switch.
Master Level Controls (L & R): These two faders
control the signal level that appears at the L & R
"stereo" outputs.
Auxiliary Output Assignment Switch: This routes
the output of the Pan Pot to one of three channel
pairs (1-2,3-4 or L-R). Positions 1-2 or3-4 will route
the signal to the corresponding Tape Track of the
multi-track recorder, while the L-R position will
route signals to the L & R "stereo" bus.