DAPAudio Gig 14 Посібник користувача - Сторінка 9

Переглянути онлайн або завантажити pdf Посібник користувача для Музичний мікшер DAPAudio Gig 14. DAPAudio Gig 14 18 сторінок.

Set Up and Operation

Before plugging the unit in, always make sure that the power supply matches the product specification

voltage. Do not attempt to operate a 120V specification product on 230V power, or vice versa.

Each mono channel comes with a XLR Mic input (1) and a balanced Line input on 1/4" jack (2). Phantom

powering is switch able from the panel (34). The trim circuit has a wide range from +10dB to +60dB,

obviating the need for mic / line switching. The crucial operating input level +4 dBu and –10 dBV are clearly

and accurately marked (4).

1. Input Level Setting

Mic Channel input level is determined by the TRIM control (4). In addition to Master Mix metering, a channel

PEAK LED (11) illuminates, when a channel is going into overload. These LEDs take their cue from post-

EQ. This level sampling is particularly useful when using extreme EQ settings.

2. Equalizer

All mono input channels are fitted with 3-band EQ, plus a switch able Low Cut filter for eliminating unwanted

subsonics. The upper (5) and lower (7) shelving controls have their frequencies fixed at 12 Khz and 80 Hz

respectively. The Mid range control (6) has a peaking response, with Q fixed at 2 octaves, frequency at 2.5

Khz. All 3 bands have up to 15 dB of cut and boost, with a centre detent for "OFF". The Low Cut filter (3),

slope at 18 dB/oct., -3 dB at 75 Hz, is ideally suited for reducing floor rumble, breathing noises and popping,

woolly bottom end, etc.

3. Aux Sends

Both Aux Sends (8 & 9) are mono and post-EQ. Aux Send 1 (8) is set pre-fader, while Aux Send 2 (9) is

post-fader.

Aux 2 can be made pre-fader on mono channels Aux 2, see "Modification" for more details.

4. Fading and Panning

GAIN to the Master Mix bus is ultimately determined by the Channel Volume control (13).

Channel Pan (10) positions the output of the channel in the stereo field. Its constant-power design ensures

there are no level discrepancies whether a signal is hard-panned, centre-stage or somewhere in between.

Such pinpoint accuracy will be a revelation, if you have been working on consoles with lower quality circuits.

5. PFL

Depress switch (12). The MONO channel signal can be level to the switch (17), its origin of the

HEADPHONE / CONTROL ROOM.