DAPAudio DS-CM-10 Посібник з експлуатації - Сторінка 9
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Друкувати сторінку5. MIC 1 Volume
Controls the volume of the Mic 1 (6) input.
6. MIC
Electronically balanced XLR-type input for connecting low impedance microphone. The input has
exremely low noise hum. When connecting a microphone make sure that the pin assignment is
correct. Always make sure to read the manual of the microphone you want to connect. The XLR- input
is not suitable for connecting an additional mixing console, FX- unit, etc. You have to use the LINE-
inputs, when connecting this kind of equipment.
Note: When connecting signal sources, please make sure that the corresponding channel faders and
the master faders are at minimum settings. Otherwise, unpleasant plug-in noise can occur.
7. MIC 2 Volume
Controls the volume of the Mic 2 (56) input.
11. Gain
Use this control to match the connected devices optimally to your DS-CM-10. With the fader set to ¾
stroke, adjust the gain with a loud input signal in such a way that the Red LED's on the Channel VU-
meter (8) do not light up.
12/ 14 / 15. Channel EQ Treble/Mid/Low
Each channel is fitted with 3-band EQ. The Treble (12) and Bass (15) shelving controls have their
frequencies fixed at 12 Khz and 80 Hz respectively. The Mid range control (14) has a center frequency
of 1 kHz. The Bass band has has up to 30 dB cut and 12 dB boost, The Mid band has has up to 35 dB
cut and 12 dB boost and the High band has up to 14 dB cut and up to 12 dB boost. All three bands
have a centre detent for "OFF". Turning the Equalizer level control to the right amplifies the frequency
range, turning to the left attenuates the signal. Minor changes to the Equalizer control usually
produce the best results. Try to avoid excessive enhancement of the MID band.
13. Channel Fader
Use the faders to control the levels of channel 1-3.
16. Selection Switch (Aux/ Line 3/Line 4)
With this switch you can assign the Aux (26), the Line 3 (48) or the line 4 (47) input to channel 3.
17. Cue
The Cue button (pre fade listening) is designed to route the channel input to the monitor section
independent of the individual channel's volume fader setting. It is possible to assign more than one
channel simultaneously to the Cue bus.
18. Fader Start A
This switch activates the fader start function for the channel selected by X-assign A (19).
19. X-assign A
Use this switch to assign the Right-side of the crossfader (20) to an input channel (zero is Off).
20. Crossfader
The crossfader allows you to mix evenly from one channel to another channel.
8. Channel Signal VU Meter
This meter is a multi-step LED; respectively the green LEDs
show -40, -30, -20, -10, -7, -4, -2dB. The red LEDs show 0,
+3, +4, +7 and +10dB. The accurate level indication
allows you to monitor channel level at anytime. If the red
LEDs frequently blink or constantly light, the
corresponding channel is likely to enter clipping and you
have to reduce the input's amplification using the gain
control. Make sure that the red LEDs light only briefly
during dynamic peaks.
9. PAN
By using the PAN control you can change the input
signal's position within the stereo image. When the
PAN control is set to center position, the audio signal is
equal for both the left and right bus.
10. Selection Switch (Phono Aux / Line)
With this switch you can select between two sets of
of inputs per channel. Set the Aux/Phono (51, 54)
selector in phono position if you want to connect a
Fig. 4
turntable. To the Aux/Phono (50, 53) input on the
rearpanel.
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