Gallien-Krueger MB150S-112III Посібник користувача - Сторінка 9

Переглянути онлайн або завантажити pdf Посібник користувача для Підсилювач Gallien-Krueger MB150S-112III. Gallien-Krueger MB150S-112III 12 сторінок. Gallien-krueger mb150e/112: user guide

Gallien-Krueger MB150S-112III Посібник користувача

Sound Advice

Input Volume vs. Output Level:
The Input Volume adjusts the signal as it enters
the preamp section. Changes to it will have an
impact on the Send jack, Boost control, and the
Direct Output if it is set to Post mode. Depend-
ing on the output signal from your bass, setting the
volume below 1 o'clock produces a cleaner signal
while setting it above 1 o'clock produces a subtle
overdrive effect.
The Output Level adjusts the volume of the Internal
Power Amplifier, after the preamp (Post EQ). For
most playing situations, the Output Level is set
between 12 and 3 o'clock. Set it above 3 o'clock
for maximum power situations.
Note: Be careful not to overdrive the Internal Am-
plifier. This creates a square wave (fully clipped
signal) which may cause damage to your speaker
regardless of it's power rating.
Contour:
Increasing the Contour level will scoop out mid-
range frequencies while boosting the highs and
lows. The sound is unique to GK and unavailable
on any other bass amp. Lower contour settings
are recommended for midrange clarity at higher
playing levels.
Presence:
The Presence control is great for slap style playing
or if you need to add a little extra high-end sparkle
to your tone. It's particularly useful if your strings
are old and dull sounding.
Equalization:
The Equalizer is used to fine tune your sound.
When changing the settings, try making only subtle
adjustments at first. These are active circuits, and
small changes can make a big difference.
Boost Control:
The Boost Control adjusts the Valve Effect (See
Tech Talk for more info). Turning up the Boost
will add a little growl to your tone. This is an
unmistakable, highly sought after, GK trademark
sound. Raising the Boost
MicroBass-III Series
while lowering the Master will add more growl
while keeping the sound level relatively even. The
'growl' is actually a small amount of even order
harmonic distortion. For most playing situations,
start with the Boost at 12 o'clock. Reduce for a
cleaner sound, or increase for more growl. When
overdriving the Preamp, increase the Boost control
to fatten up the tone.
Direct Out:
Your GK amplifier includes a low noise, high qual-
ity balanced Direct Out for connection to PA and
recording consoles. The MBS is set for Pre EQ.
The MBE has two Direct Outputs which can be set
with one in Pre and one in Post simultaneously, or
both in Post Stereo L/R to accommodate the built
in stereo chorus. Both the MBE and the MBS in-
clude a Ground (Gnd) Lift switch to remove hum
and buzz when connecting to equipment powered
by a different ground system.
When in Pre Output mode, the signal is fed directly
from our low noise, high headroom, FET input
stage to the Direct Output. This provides a low
noise output superior to external direct boxes and
impedance transformers. Using Pre-Output mode,
the Direct Output signal is only effected by the -
14dB Pad and Tuning Mute controls. This allows
you to adjust your tone and volume on stage without
changing the Direct Output signal level.
Post-Output mode sends the fully effected preamp
signal to the Direct Out. This gives you complete
control over your Direct Out tone and volume
and has the added benefit of really annoying the
sound guy.
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