Sony NEX-C3A Технічні характеристики - Сторінка 4
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Lenses: How they capture and control light
The linguistic roots of the word "photography" are the Greek words meaning "light" and "drawing." Photography is "drawing
with light," and lenses are the brushes. After their imagination, lenses are the photographer's primary creative tools. The way
a lens captures and presents an image to the camera's sensor determines the visual outcome more than any other factor.
The ability to choose the right lens and use it well is one of the most important skills an aspiring photographer should acquire.
In this brief guide we'll look at some of the basics that will help you to choose lenses that are suited to your needs, and
make the most out of them to create truly satisfying photographs.
Projecting an image
Our eyes do it, cameras do it, even a simple
the pinhole camera. In a pinhole camera a tiny
light-tight box with a tiny hole in one end will
hole is all that's needed to project an image.
do it: the feat of turning light into an image
can only be accomplished by first capturing
To make this easier to understand, remember
the light from a scene and projecting it onto
that light normally travels in straight lines, then try
a surface. That surface, the "image plane,"
to imagine the subject being photographed as
can be a wall, a piece of film, a sensor, or
being made up of a multitude of points of light of
the retina in our eye. In all cases the image
appropriate brightness and color.
is projected upside-down and horizontally
In the example in Figure 1, light from a point at
reversed. Let's take a look at the precursor of
modern cameras, the simplest camera of all:
the top of the tree travels in a straight line
A pinhole camera is basically a light-tight box
Figure 1. A simple pinhole of appropriate size
with a small hole in one end
is capable of projecting a sharp but dim image
If a little hole can do all of this, why do we need lenses?
Pinholes can "project" images, but they are limited and inflexible. In
order for the projected image to be sufficiently sharp, the hole must be
very small, but this also means that the projected image is very dim.
In principle, lenses work similarly to the pinhole, but they are capable
of capturing more light from each point on the subject, and therefore
project a much brighter image. A lens can also bring more light into
sharp focus. That's helpful because it means we can use short sub-
A simplified cross section of a modern lens and a typical SLR (Single Lens Reflex) type digital camera
Pentaprism (flips the image so it can viewed in proper orientation)
Focal point
Light
Lens element
Subject
Optical axis
Interchangeable-lens
(objective lens)
Light reflected by the subject is effectively collected
and focused by the lens elements to project an
image on the camera's image sensor plane.
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through the pinhole and reaches a point at
the bottom of the image plane, whereas light
from a point at the bottom of the tree ends up
at the top of the image plane after passing
through the pinhole.
The real-world scene becomes an image
projected on the image plane, upside-down
and reversed left-to-right.
Figure 2. A lens uses the principle of "refraction"
to gather more light from the subject and project
a sharp, bright image
second exposures rather than having to make sure that both the
camera and subject stay perfectly still for many minutes or even hours,
which is usually the case with a pinhole camera. Other advantages are
that lenses can be made in a variety of focal lengths from wide-angle to
capture expansive scenes or telephoto to photograph distant subjects.
Modern lenses are precision optical devices that give photographers
boundless freedom to realize their creative vision by "drawing with light."
Refraction: bending light
Viewfinder
The physical principle that allows lenses to
Camera
gather and focus light is called "refraction."
Refraction causes lightwaves to change speed
and direction when they pass from one medium
Image
(air, for example) to another (glass, for example),
sensor plane
and allows lenses to be designed to "bend" light
in a controlled way. The "refractive index" of an
Mirror
optically transparent medium is a measure of
the speed of light in that medium, and therefore
the degree to which light will be "bent" by that
Focal length
medium. Optical materials that have different
refractive indices—conventional optical glass and
ED glass, for example—are sometimes combined
in lenses to achieve the desired characteristics.
A look inside
Elements and groups
All modern photographic lenses are "compound"
Fixed focal length lenses, also known as "prime"
lenses that use a number of lens "elements"
lenses, generally have the simplest construction
precisely mounted along the same optical axis.
with the fewest groups and elements. Zoom
The use of multiple elements allows lens designers
lenses require a larger number of groups/
to effectively reduce optical aberrations so you
elements to support the zoom functionality.
get nice sharp, clean images.
While most lens elements are "spherical,"
"Elements" are the individual pieces of specially
meaning that one or more surfaces form part
shaped glass that make up the lens. A "group"
of a sphere, some lenses include "aspherical"
consists of two or three elements that have been
elements. Aspherical elements have more
glued together to function as a unit. Sometimes
complex shapes than simple spherical elements,
groups consist of different types of glass that
and are much more difficult and more expensive
have been combined in order to control some
to produce. Aspherical elements are sometimes
form of aberration. Lenses are sometimes
used in wide-angle and fast standard lenses,
described in terms of the number of elements
where they can be effective in reducing certain
and groups they contain. You'll hear terms such
types of aberration.
as "7-group 9-element lens."
Zoom and focus mechanisms
The job of varying focal length in a zoom lens
Focusing is sometimes accomplished by moving
requires a fairly complex mechanism that
the entire lens closer to or further away from
translates zoom ring rotation into precise group
the image sensor plane, although some lenses
movement along the optical axis of the lens. Zoom
employ a "floating construction" in which groups
mechanisms must be precisely manufactured
of elements move independently in order to
to exacting tolerances so that all elements and
maintain optimum optical performance at all
groups stay in perfect alignment throughout the
shooting distances.
zoom range.
Read your lenses
There is a lot of pertinent information
printed or engraved on the outside of
lenses that can help you understand their
characteristics and how to best use them.
Here are a few examples.
Focal length
This is the most basic, most important
characteristic of any lens. Focal length plays
a primary role in determining what types of
subjects and compositions the lens is suitable
for (see page 10 for more details).
AF/MF switch
This switch lets you switch between
autofocus and manual focus modes.
Lens configuration example: 7 groups/9 elements
Lens element
Lens group
Mount
Aperture
Lens barrel
Aspherical lens (see page 16 for more details)
ED glass (see page 16 for more details)
How lens elements and groups move in a zoom lens
Wide
Medium
Telephoto
Distance scale
The distance scale indicates the
approximate distance from the
camera's image plane to the object
that the camera is focused on.
Autofocus drive type
Lenses marked "SAM" or "SSM" feature
built-in motors that drive the lens's
focusing mechanism. Lenses that
don't have internal motors are driven
by a motor in the camera body
(see page 17 for more details).
Maximum aperture
This number represents the maximum
aperture, or "f-number," of the lens
and tells you how "bright" the lens is
(see page 9 for more details).
Lens format
Sony lenses marked "DT" (Digital
Technology) have been specifically
designed for use on APS-C format
A-mount cameras (see page 8 for
more details).
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