Ashdown Fallen Angel 40 Інструкція з експлуатації Посібник з експлуатації - Сторінка 5
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Fro nt Panel Facilities
FALLEN ANGEL 40, 60, 180
INPUT
The single jack input socket perfectly matches passive guitars with its very high impedance but still retains
sufficient headroom to cope with the output from modern active instruments.
CHANNEL 1
Channel 1 is intended to be used mainly as a CLEAN channel.
GAIN
The setting of the GAIN control will depend very much on the output level of the guitar being used. For
single coil pickups the sound will be clean for most of the range of the control with a slight edge only on
the maximum setting. For humbucking pickups the sound will be clean up to about 12 O'clock with a slight
edge being added beyond this and a definite crunch on maximum.
TREBLE, MIDDLE, BASS
The Treble, Middle and Bass controls are a traditional passive guitar tone network and as such are
interactive in their function.This type of tone network provides the best overall character for the guitar,
giving a classic, vintage, full-bodied guitar tone.The values of components used in the Channel 1 tone
control network have been chosen to best suit a Clean and Sparkling guitar tone.
VOLUME
Channel 1 has its own Volume control to allow Channel 1 and Channel 2 to be easily balanced in level
against each other. It is best in terms of background noise and overall tone to set this control as high as
possible and the Master control as low as possible for the required playing volume.
CHANNEL SELECT AND CHANNEL 2 BOOST (180 Head)
Between Channel 1 and Channel 2 there are 2 push buttons used for selecting 'Channel 1/Channel 2' and
'Channel 2 Boost' from the front panel. If the footswitch is to be used these push buttons must be in their
OUT position for the footswitch to operate. Channel 1 or Channel 2 activity is indicated by LEDs above
this push button. An LED above and to the right of the Channel 2 Gain control indicates Channel 2 Boost.
CHANNEL SELECT AND CHANNEL 2 BOOST (40 & 60 Combos, 60 Head)
Between Channel 1 and Channel 2 there is a single push button used for selecting 'Channel 1/Channel 2'
from the front panel. If the footswitch is to be used this push button must be in its OUT position for the
footswitch to operate. Channel 1 or Channel 2 activity is indicated by LEDs either side of this push button.
Channel 2 Boost can only be selected from the footswitch and an LED to the right of the Channel 2 Gain
control indicates Channel 2 Boost.
CHANNEL 2
Channel 2 is a very versatile channel and can be used styles including fluent solo playing, power chords, big
fat bottom end muted notes and chords, and screaming over-the-top lead lines. Due to the dynamics
available on this channel, the guitars' own volume control can open up a whole range of other uses. For
instance by winding the guitar volume back and playing lightly it can be clean. Hit the string a bit harder and
it has and edge to it. Crank it up to wind into a singing soloing voice. Muted notes and chords retain a
solid fat bottom end whilst solo lines can be full and singing with a saturated, smooth distortion that still
retains a degree of dynamics.
GAIN/CHANNEL 2 BOOST
Channel 2 Gain control has a vast range available (especially when used with the Channel 2 Boost facility).
At its lowest setting Channel 2 can be clean. At its maximum setting it provides a fully saturated, very high
gain, over-the-top lead tone.We have been very careful to ensure that the fat bottom end is retained
throughout the entire range of this Gain control. Channel 2 has been designed to allow you to set the
GAIN control somewhere in the middle of its range for chords and general playing.Then you can use the
BOOST to add that extra gain for soloing, over-the-top fat muted chords or muted note lines. Adding the
BOOST also makes this channel ideal for tapping styles. If you want balls out, over-the-top guitar then
Channel 2 can be used with maximum GAIN and BOOST. Be warned - you will have such a massive degree
of gain that it may be somewhat uncontrollable.
TREBLE, MIDDLE, BASS
The Treble, Middle and Bass controls are based on a traditional passive guitar tone network and as such are
interactive in their function.This type of tone network provides the best overall character for the guitar,
giving a classic, full-bodied guitar tone.The values of components used in the Channel 2 tone control
network have been chosen to best suit a modern, high gain, saturated guitar sound (with big bottom end).
It is recommended to use the Treble and Middle controls set between minimum and 12 O'clock.The bass
control can be used set on maximum if desired.
180 Watt Head Only - Because the 6-tube output stage of this amplifier reacts so well with the speakers
used, the tonal character can change drastically from one model of speaker to another.We recommend the
speakers in Ashdown 4 x 12 cabinets to best suit this amplifier.
VOLUME
Channel 2 has its own Volume control to allow Channel 1 and Channel 2 to be easily balanced in level
against each other. It is best in terms of background noise and overall tone to set this control as high as
possible and the Master control as low as possible for the required playing volume.
MASTER SECTION
EFFECTS LOOP PUSH BUTTONS (180 Head)
There are 4 push buttons for assigning the 2 effects loops to either Channel 1, Channel 2 or both.The first
2 push buttons are for Channel 1.The top button assigns Loop 1 to Channel 1.The lower button assigns
Loop 2 to Channel 1.With both buttons IN, both Loop1 and Loop 2 are assigned to Channel 1.The next
set of 2 push buttons perform the same operation for Channel 2.This effects scheme provides a supremely
flexible effects facility. Switching is also provided on the back panel for selecting either Serial or Parallel
effects loops.
EFFECTS IN/OUT (180 Head)
To the right of the Effects assignment section are two more push buttons.The top one activates the effects
loops from the front panel.The LED above the 4 effects assignment buttons indicates Loops active. If you
are using the footswitch then leave this front panel push button in its OUT position.
MASTER REVERB (40 & 60 Combos)
This sets the overall level of reverb added to both channels.The level of reverb for each channel is set by
the individual channel's own volume control.