Dangerous Music Dangerous Monitor Manual - Página 3

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Overview

The Monitor is designed to be the cornerstone of a recording studio by

providing a convenient method for listening to and metering the different

stages of the recording process. Careful attention to detail has resulted in a

unit of stunning ergonomic clarity and unprecedented performance in a

compact enclosure. The user will discover that the ability to select between

different analog and digital sources as implemented in Monitor allows

accurate assessment of program material without quality differences in the

signal paths clouding the user's judgment.

The built in digital to analog converter provides a solid basis for comparing

digital sources directly without being subjected to the inevitable differences

in calibration and sound quality between the converters in separate pieces of

gear. Many times, the engineer can be fooled by differences in sound quality

of "clones" (DAT from a CD) because the different brands of equipment

don't sound the same even though the data on the carriers is the same. The

topology of Monitor lets the engineer concentrate on the music and not the

process.

Hooking up your Dangerous Monitor

The connectors on the back of Monitor are arranged into 5 groups. The first

is the AES IN and THRU connectors. The user is to plug AES signals into

the female XLR connectors. Up to four devices are selectable for routing to

the built in D/A converter and digital meter feed. The XLR male connector

provide an uninterrupted through.

The second connector group is the "meter feeds" group. These jacks allow

the selected analog and digital sources to be sent to meters and/or phase

scopes to allow visual aid to the monitoring process. A breakout cable is

provided for the A-MTR feed.

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