AEQ CM 65 Manual del usuario - Página 5

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Song on stage and in studio.

The CM 65 is particularly suitable for singing, since it is designed to be insensitive to vibrations

having a wide frequency response and a switch to incorporate filters and attenuators. Use the

different positions of the switch to suit the situation.

On a stage it is normal to be exposed to background noise and hum. Try position "-14

" and

position "-14

" and in both cases move the microphone closer to the mouth. In the latter

position you will be able to notice increased brightness of the voice and a moderate insensibility

to hum and pops. You can also try position "0

" that provides a 100 Hz filter.

Use the microphone in position "0

" if it is being used in a studio and the singer is positioned

at some distance from it.

If you notice pops caused by the voice, try "0

" that provides a 100 Hz filter.

Tips for song.

Experienced singers will be able to get the most out of the microphone through the practice and

experimenting with it. In addition to practicing with switch positions, depending on the position

from where the singer is vocalising (directly or laterally to the microphone) and the distance from

mouth to microphone, it is possible to obtain variations in sound that can be consciously

practiced and improved.

Instruments: Acoustic guitar, Wind instruments, Drum-sets, cymbals, Woodblocks and

Cajón.

The CM65 microphone form AEQ is suitable for this whole range of musical instruments. Use

your experience or obtain on-line guidance and consultation in regards to how to correctly pick

up the sound of your instrument, tips for the location and orientation of the microphone that

allows to obtain different effects of tonal balance. Note that if you place the microphone near the

instrument it may be advisable to use position "-14

", and if you want an extra brightness

and remove proximity pop effects, position "-14

" may be the appropriate.

AEQ

CM 65 -

CONDENSER MICROPHONE