AEQ CM 65 사용자 설명서 - 페이지 5
{카테고리_이름} AEQ CM 65에 대한 사용자 설명서을 온라인으로 검색하거나 PDF를 다운로드하세요. AEQ CM 65 6 페이지.
페이지 인쇄Song on stage and in studio.
The CM 65 is particularly suitable for singing, since it is designed to be insensitive to vibrations
having a wide frequency response and a switch to incorporate filters and attenuators. Use the
different positions of the switch to suit the situation.
On a stage it is normal to be exposed to background noise and hum. Try position "-14
" and
position "-14
" and in both cases move the microphone closer to the mouth. In the latter
position you will be able to notice increased brightness of the voice and a moderate insensibility
to hum and pops. You can also try position "0
" that provides a 100 Hz filter.
Use the microphone in position "0
" if it is being used in a studio and the singer is positioned
at some distance from it.
If you notice pops caused by the voice, try "0
" that provides a 100 Hz filter.
Tips for song.
Experienced singers will be able to get the most out of the microphone through the practice and
experimenting with it. In addition to practicing with switch positions, depending on the position
from where the singer is vocalising (directly or laterally to the microphone) and the distance from
mouth to microphone, it is possible to obtain variations in sound that can be consciously
practiced and improved.
Instruments: Acoustic guitar, Wind instruments, Drum-sets, cymbals, Woodblocks and
Cajón.
The CM65 microphone form AEQ is suitable for this whole range of musical instruments. Use
your experience or obtain on-line guidance and consultation in regards to how to correctly pick
up the sound of your instrument, tips for the location and orientation of the microphone that
allows to obtain different effects of tonal balance. Note that if you place the microphone near the
instrument it may be advisable to use position "-14
", and if you want an extra brightness
and remove proximity pop effects, position "-14
" may be the appropriate.
5
AEQ
CM 65 -
CONDENSER MICROPHONE