AudioTouch c-buss Manuel de l'utilisateur - Page 2
Parcourez en ligne ou téléchargez le pdf Manuel de l'utilisateur pour {nom_de_la_catégorie} AudioTouch c-buss. AudioTouch c-buss 3 pages. Advanced stereo compressor
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1. POWER ON
Main Voltage setting should be selected at 115 or 230V/AC
with selector (A). If correct for your country, you can
connect the power cord included and push on the power
switch in Front panel.
R
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USER INTERFACE (AN@TOUCH) ©
The 'Patent pending' intuitive user interface
an@touch allows explicit display of all
parameters and their modification, storage
and recall.
It consists of a rotary luminous encoder (E)
used to changing the parameters for each
function selected by associated key (6 to 8).
5. METERS
In order to check signal integrity, each L/R
Input/Output has his own VU-meter. The
GR meter shows the amount of gain
reduction in 2dB steps, up to 20 dB.
9. 'ISOSONIC' DYNESS
Based on the 'isosonic' human hearing perception,
the accentuation of mediums on the detection
circuit (sidechain) enables new possibilities.
c-buss2012 USER MANUAL ©2013 AudioTouch
2. MIDI CONNECTIONS
For plugin Remote, standard MIDI cables
can be used in order to chain several
devices, each with an unique 'MIDI
number' (B).
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C
6. Classic Compressor CONTROLS
THR [Threshold]: This sets the level above which signals will be
compressed.
ATT [Attack]: allows to adjust the time it takes the compressor to
react to the input signal.
RATIO: Sets the compression slope, how the output signal will
change in relation to the input signal when above the threshold.
Special Mode 'limit' (C) provides a limiter effect.
REL [Release]: allows adjustment of the compressor's unity gain
return time after going into compression.
Mode 'auto' (D) is a special setting 'program-dependent' for
release time.
M-UP [Make-up gain]: output gain adjustment after processing.
Special modes are activated by pressing and holding Encoder (E).
10. EXT SIDECHAIN
Allows XLR external connections (3) for Stereo
sidechain detection. If only one channel is
connected, operation is Mono.
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3. SIDECHAIN CONNECTIONS
B
XLR electronically balanced
Inputs are active only if EXT
SIDECHAIN (10) is engaged.
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D
7. DYNESS SETTING (INTERNAL SIDECHAIN)
The Low Shelving Filter avoids triggering the
sidechain with low frequencies. With the
'ISOSONIC' DYNESS function engaged (9), the
mid-freq pre-emphasis allows to soften some
aggressive sounds. In the 2 cases, there are 3
levels of adjustment possible: L1, L2 and L3.
PLUGIN REMOTE
C-buss is fully controllable with a software
(plugin) integrated in a host sequencer.
When the device is synchronized with the
software, the REMOTE (R) indicator turns
blue. It is red if there's a problem.
11. VINTAGE MODE
It is a special mode with 'old' Feedback type
compression, and transformers added in the audio
path instead of capacitors.
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4. AUDIO CONNECTIONS
G
XLR Inputs and Outputs are electronically balanced with
differential signal between pins 2 & 3. Pin 1 is normally connected
to Ground except for Outputs if GND LIFT (G) is engaged.
E
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8. MIX SETTING
Allows a true mix between compressed signal and
dry signal. When Input level and compressed
Output level are the same, Outputs are constant-
level regardless the MIX setting.
INTERNAL MEMORIES
There are 21 memories available to the user.
Pushing and holding Encoder (E) provides access to
memory functions. Memories are represented by
function keys (6-8) in 3 'banks' represented by the
illuminated keys 9-11. Then press a flashing button
to recall the associated memory. To write to a
memory, select the desired location with (E) and
then push and hold (E).
12. HARD BYPASS
True Bypass means that Output XLRs are directly
connected to the Input XLRs. When the unit is off,
Bypass is active.
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