DiBiQuadro MercuryRec Panduan Pengguna - Halaman 5
Jelajahi secara online atau unduh pdf Panduan Pengguna untuk Mixer Musik DiBiQuadro MercuryRec. DiBiQuadro MercuryRec 19 halaman.
Juga untuk DiBiQuadro MercuryRec: Panduan Pengguna (14 halaman)
Halaman Cetak
taken from the more recent 3 channels
models.
Engage MercuryRec with the certainty
that you are getting the same nuances
of the real thing in the digital domain,
and keep in mind: with the additional
tweak section that only DiBiQuadro
provides you can add a unique touch
and finally get your very own personal
sound!
Non-Plus-Ultra Preamp:
the perfect approach to
circuit modelling
MercuryRec preamp features a built-
from-scratch 64-bit engine which is
based on general purpose hi-quality
algorithms and the most recent non-
linear models. Particular attention has
been put on the definition of the Non-
Linear Solver to get the maximum
quality and realism, without losing
details
in
favor
(Double-Precision
Computing).
Also, MercuryRec brings a completely
new philosophy to the table: being
able to shape your tone by giving total
access to the circuit components.
Managing each gain
shaping the tone-stacks or modifying
the
tubes
characteristics:
virtually no limit to what you can
achieve with MercuryRec!
of
performances
Non-Linear
stage
level,
there
is
Pwr/Cabs: Non-Linear
Convolution
The chain made of tube power amp,
cabinet/speaker,
end
studio
preamp
together as a unique block to preserve
the correct interaction between the
specific power amp and the speakers.
Contrary to what is commonly used in
the amp simulation market we use Non-
Linear Convolution (NLC) to capture
the harmonic distortion of the power
amp, the speaker break up, and the
harmonic distortion introduced by the
high-end mic preamp.
This is not possible using the commonly
spread approach of a single IR. First,
with
a
single
reconstruct the non-linearities of an
analog chain. Since the power amp is
generally modeled in the competitors
products, the main problem is the
missing non-linearities coming from the
speaker and the microphone preamp.
While this is somehow negligible for
some types of high wattage speakers
when dealing high gain sounds, it is
essential when the speaker break up is
part of the tone. Second, most of the
times a solid state power amp is used
to sample a speaker behavior. This
power amp despite being considered
"neutral" has its own character due to
the
different
interaction with the speaker compared
5
microphone,
high-
is
sampled
IR
is
impossible
impedance
and
to