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音楽ミキサー DiBiQuadro MercuryRecのPDF ユーザーマニュアルをオンラインで閲覧またはダウンロードできます。DiBiQuadro MercuryRec 19 ページ。
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taken from the more recent 3 channels

models.

Engage MercuryRec with the certainty

that you are getting the same nuances

of the real thing in the digital domain,

and keep in mind: with the additional

tweak section that only DiBiQuadro

provides you can add a unique touch

and finally get your very own personal

sound!

Non-Plus-Ultra Preamp:

the perfect approach to

circuit modelling

MercuryRec preamp features a built-

from-scratch 64-bit engine which is

based on general purpose hi-quality

algorithms and the most recent non-

linear models. Particular attention has

been put on the definition of the Non-

Linear Solver to get the maximum

quality and realism, without losing

details

favor

(Double-Precision

Computing).

Also, MercuryRec brings a completely

new philosophy to the table: being

able to shape your tone by giving total

access to the circuit components.

Managing each gain

shaping the tone-stacks or modifying

the

tubes

characteristics:

virtually no limit to what you can

achieve with MercuryRec!

performances

Non-Linear

stage

level,

there

Pwr/Cabs: Non-Linear

Convolution

The chain made of tube power amp,

cabinet/speaker,

end

studio

preamp

together as a unique block to preserve

the correct interaction between the

specific power amp and the speakers.

Contrary to what is commonly used in

the amp simulation market we use Non-

Linear Convolution (NLC) to capture

the harmonic distortion of the power

amp, the speaker break up, and the

harmonic distortion introduced by the

high-end mic preamp.

This is not possible using the commonly

spread approach of a single IR. First,

with

single

reconstruct the non-linearities of an

analog chain. Since the power amp is

generally modeled in the competitors

products, the main problem is the

missing non-linearities coming from the

speaker and the microphone preamp.

While this is somehow negligible for

some types of high wattage speakers

when dealing high gain sounds, it is

essential when the speaker break up is

part of the tone. Second, most of the

times a solid state power amp is used

to sample a speaker behavior. This

power amp despite being considered

"neutral" has its own character due to

the

different

interaction with the speaker compared

microphone,

high-

sampled

impossible

impedance

and