Canon EOS 5D Mark III Manuale d'uso - Pagina 3

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Anche per Canon EOS 5D Mark III: Manuale di installazione (2 pagine), Manuale di istruzioni (28 pagine), Manuale di istruzioni (41 pagine), Manuale del software (2 pagine), Manuale del software (2 pagine), Manuale di avvio rapido (2 pagine), Manuale del prodotto (39 pagine), Manuale del prodotto (36 pagine), Manuale d'uso (2 pagine), Opuscolo (39 pagine), Opuscolo (32 pagine), Manuale delle funzioni (21 pagine), Libro Manuale (24 pagine)

Canon EOS 5D Mark III Manuale d'uso
 
Brilliant   S ensor,   S upercharged   P rocessors  
 
22.3   M egapixel   f ull-­‐frame   C MOS   s ensor    
 
The   E OS   5 D   M ark   I II   f eatures   a   n ewly   d eveloped   C anon   f ull-­‐frame   2 2.3   M egapixel   C MOS   s ensor   t hat's   d esigned   f rom   t he   g round   u p  
to   c reate   h igh   r esolution,   p erfectly   d etailed   i mages   w ith   u nprecedented   s peed   a nd   c larity.   A   f ull   2 4   x   3 6mm,   t he   s ensor   c aptures  
5784   x   3 861   l arge   i ndividual   6 .25   µ m   p ixels   a nd   h as   a   m uch-­‐improved   S /N   r atio   r esulting   i n   b etter   i mages   f rom   t he   s tart.   A   n ew  
photodiode   s tructure   w ith   a n   i ncreased   p hotoelectric   c onversion   r ate   i ncreases   t he   s ensor's   s ensitivity   b y   a pproximately   2   s tops  
over   p revious   m odels,   m eaning   h igher   I SOs   w ith   t he   l owest   n oise   o f   a ny   E OS   d igital   c amera.   A nd   a   2 -­‐line   8 -­‐channel   s imultaneous  
signal   r eadout   m eans   s peeds   o f   u p   t o   6 .0   f ps   ( RAW   +   J PEG)   a re   p ossible!  
 
 
 
 
14-­‐bit   A /D   c onversion,   w ide   r ange   I SO   s etting   1 00–25600   ( L:   5 0,   H 1:   5 1200,   H 2:   1 02400)    
The   E OS   5 D   M ark   I II   n ot   o nly   o ffers   1 4-­‐bit   s ignal   p rocessing   f or   e xcellent   i mage   g radation,   i t   d elivers   h igher   s tandard   a nd   e xpanded  
ISOs,   a nd   a   s core   o f   n ew   o ptions   t o   e nhance   s hooting   i n   v aried   a nd   f ast-­‐changing   l ighting   s ituations.   W ith   a   s tandard   r ange   o f   I SO  
100–25600,   t he   E OS   5 D   M ark   I II   r epresents   a   2 -­‐stop   i ncrease   i n   s ensitivity   o ver   p revious   c ameras.   T hanks   t o   t he   i mproved   s ignal-­‐to-­‐
noise   r atio   o f   t he   n ew   s ensor   a nd   p owerful   n oise   r eduction,   t he   E OS   5 D   M ark   I II   c an   s hoot   a t   e xpanded   s ensitivities   d own   t o   I SO   5 0  
(L)   a nd   u p   t o   5 1200   ( H1),   a nd   e ven   1 02400   ( H2)!   B eyond   t he   o bvious   a dvantages   o f   i ts   w ide   I SO   r ange,   t he   E OS   5 D   M ark   I II   h as  
automatic   I SO   s ettings,   f ound   o n   t he   d edicated   I SO   m enu.   M inimum   a nd   m aximum   I SO   s ettings   c an   b e   s pecified,   a s   c an   a   u ser-­‐
defined   r ange,   p lus   f ull   a uto   a nd   m anual.  
 
 
 
 
DIGIC   5 +   I mage   P rocessor   f or   e nhanced   n oise   r eduction   a nd   b lazing   p rocessing   s peed    
For   a   w hole   n ew   l evel   o f   p erformance,   t he   E OS   5 D   M ark   I II   u ses   a   D IGIC   5 +   I mage   P rocessor.   W orking   w ith   t wo   4 -­‐channel   A /D  
converter   f ront-­‐end   p rocessing   c ircuits,   a nd   d elivering   s peeds   o f   u p   t o   6 .0   f ps   ( RAW   +   J PEG),   a nd   t he   D IGIC   5 +   I mage   P rocessor  
improves   d ata   p rocessing   p erformance   a nd   f eatures   n ew   a lgorithms   t hat   p romote   g reater   n oise   r eduction   a t   h igher   I SOs.   I n   a ddition  
to   c onventional   i mage   p rocessing   f unctions   t he   D IGIC   5 +   I mage   P rocessor   o ffers   r eal-­‐time   c ompensation   f or   c hromatic   a berration   i n  
both   s till   a nd   m otion   i mages.   W ith   t he   p ower   o f   t his   p rocessor,   s peed   i mprovements   a re   n oticeable   f rom   t he   i nstant   t he   c amera   i s  
turned   o n   a nd   t he   s tunning   r esults   s peak   f or   t hemselves.