Canon EOS 5D Mark III Gebruikershandleiding - Pagina 3

Blader online of download pdf Gebruikershandleiding voor {categorie_naam} Canon EOS 5D Mark III. Canon EOS 5D Mark III 20 pagina's. Eos digital slr camera
Ook voor Canon EOS 5D Mark III: Installatiehandleiding (2 pagina's), Gebruiksaanwijzing (28 pagina's), Gebruiksaanwijzing (41 pagina's), Software Handleiding (2 pagina's), Software Handleiding (2 pagina's), Snelstarthandleiding (2 pagina's), Producthandleiding (39 pagina's), Producthandleiding (36 pagina's), Gebruikershandleiding (2 pagina's), Brochure (39 pagina's), Brochure (32 pagina's), Functiehandboek (21 pagina's), Handboek (24 pagina's)

Canon EOS 5D Mark III Gebruikershandleiding
 
Brilliant   S ensor,   S upercharged   P rocessors  
 
22.3   M egapixel   f ull-­‐frame   C MOS   s ensor    
 
The   E OS   5 D   M ark   I II   f eatures   a   n ewly   d eveloped   C anon   f ull-­‐frame   2 2.3   M egapixel   C MOS   s ensor   t hat's   d esigned   f rom   t he   g round   u p  
to   c reate   h igh   r esolution,   p erfectly   d etailed   i mages   w ith   u nprecedented   s peed   a nd   c larity.   A   f ull   2 4   x   3 6mm,   t he   s ensor   c aptures  
5784   x   3 861   l arge   i ndividual   6 .25   µ m   p ixels   a nd   h as   a   m uch-­‐improved   S /N   r atio   r esulting   i n   b etter   i mages   f rom   t he   s tart.   A   n ew  
photodiode   s tructure   w ith   a n   i ncreased   p hotoelectric   c onversion   r ate   i ncreases   t he   s ensor's   s ensitivity   b y   a pproximately   2   s tops  
over   p revious   m odels,   m eaning   h igher   I SOs   w ith   t he   l owest   n oise   o f   a ny   E OS   d igital   c amera.   A nd   a   2 -­‐line   8 -­‐channel   s imultaneous  
signal   r eadout   m eans   s peeds   o f   u p   t o   6 .0   f ps   ( RAW   +   J PEG)   a re   p ossible!  
 
 
 
 
14-­‐bit   A /D   c onversion,   w ide   r ange   I SO   s etting   1 00–25600   ( L:   5 0,   H 1:   5 1200,   H 2:   1 02400)    
The   E OS   5 D   M ark   I II   n ot   o nly   o ffers   1 4-­‐bit   s ignal   p rocessing   f or   e xcellent   i mage   g radation,   i t   d elivers   h igher   s tandard   a nd   e xpanded  
ISOs,   a nd   a   s core   o f   n ew   o ptions   t o   e nhance   s hooting   i n   v aried   a nd   f ast-­‐changing   l ighting   s ituations.   W ith   a   s tandard   r ange   o f   I SO  
100–25600,   t he   E OS   5 D   M ark   I II   r epresents   a   2 -­‐stop   i ncrease   i n   s ensitivity   o ver   p revious   c ameras.   T hanks   t o   t he   i mproved   s ignal-­‐to-­‐
noise   r atio   o f   t he   n ew   s ensor   a nd   p owerful   n oise   r eduction,   t he   E OS   5 D   M ark   I II   c an   s hoot   a t   e xpanded   s ensitivities   d own   t o   I SO   5 0  
(L)   a nd   u p   t o   5 1200   ( H1),   a nd   e ven   1 02400   ( H2)!   B eyond   t he   o bvious   a dvantages   o f   i ts   w ide   I SO   r ange,   t he   E OS   5 D   M ark   I II   h as  
automatic   I SO   s ettings,   f ound   o n   t he   d edicated   I SO   m enu.   M inimum   a nd   m aximum   I SO   s ettings   c an   b e   s pecified,   a s   c an   a   u ser-­‐
defined   r ange,   p lus   f ull   a uto   a nd   m anual.  
 
 
 
 
DIGIC   5 +   I mage   P rocessor   f or   e nhanced   n oise   r eduction   a nd   b lazing   p rocessing   s peed    
For   a   w hole   n ew   l evel   o f   p erformance,   t he   E OS   5 D   M ark   I II   u ses   a   D IGIC   5 +   I mage   P rocessor.   W orking   w ith   t wo   4 -­‐channel   A /D  
converter   f ront-­‐end   p rocessing   c ircuits,   a nd   d elivering   s peeds   o f   u p   t o   6 .0   f ps   ( RAW   +   J PEG),   a nd   t he   D IGIC   5 +   I mage   P rocessor  
improves   d ata   p rocessing   p erformance   a nd   f eatures   n ew   a lgorithms   t hat   p romote   g reater   n oise   r eduction   a t   h igher   I SOs.   I n   a ddition  
to   c onventional   i mage   p rocessing   f unctions   t he   D IGIC   5 +   I mage   P rocessor   o ffers   r eal-­‐time   c ompensation   f or   c hromatic   a berration   i n  
both   s till   a nd   m otion   i mages.   W ith   t he   p ower   o f   t his   p rocessor,   s peed   i mprovements   a re   n oticeable   f rom   t he   i nstant   t he   c amera   i s  
turned   o n   a nd   t he   s tunning   r esults   s peak   f or   t hemselves.