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ステレオシステム Bose L1 Model IIのPDF オーナーズマニュアルをオンラインで閲覧またはダウンロードできます。Bose L1 Model II 32 ページ。 Portable line array systems
Bose L1 Model II にも：オーナーズマニュアル (32 ページ), オーナーズマニュアル (28 ページ), テクニカル・データシート (8 ページ), テクニカル・データシート (8 ページ), アプリケーション・マニュアル (13 ページ), マニュアル (15 ページ)

, I

ONTROLS

NDICATORS AND

Channel 1/2 connections and controls

Input ..........................................Combination XLR (mic) or ¼-inch phone connector

Trim 0 to 12 ...............................Controls the input level

Signal/OL ..................................Indicates signal presence (green) or signal overload (red).

Phantom Off/+24V ....................When depressed turns on the +24V phantom power. The

ToneMatch™ preset.................Selects a comprehensive channel equalization, which results

Line OUT ...................................XLR output for sending to external recording equipment or to

Insert .........................................A TRS line input/output for connecting to external

Note: Use a stereo plug in the Insert jack for connecting send and return signals. The ring

connects to the "Send"; and the tip connects to the "Return".

ONNECTIONS

unbalanced (line) input. Inserting a male XLR connector

sends the input signal to a balanced microphone

preamplifier. Inserting a ¼-inch phone plug sends the input

signal to an unbalanced high-impedance line-level circuit

which is suitable for most instruments such as active or

passive guitars or basses, keyboards, etc. Both inputs can

be adjusted with the Trim control.

LED lights when phantom power is on.

in a "normal" or useful sound when the product is used with

commonly available equipment such as microphones,

musical instruments or sound processors. The selectable

settings from 00 to 99 apply only to channels 1 and 2.

Settings are identical on both channels but are indepen-

dently selected. See the preset guide inside the L1 model I

power stand panel door for a list of available presets.

conventional sound mixing consoles (for using the Bose

approach in large venues).

equipment, such as digital effects processors.