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designed for high-impedance asymmetrical signals, which are further

linked to the preamp via a matching buffer.

can be adjusted using the Drive potentiometer.

parameter will vary based on the internal structure of the connected

instrument.

It is strongly recommended to utilize the instrument input in

Low Gain

mode, alongside an appropriate Drive setting, as this approach

maintains the signal-to-noise ratio at a manageable level due to the

asymmetrical signal and high impedance.

LINE INPUT

MIC. INPUT

combined front panel connector. Generally, devices connected to the

front panel always take priority. For instance, if microphones are

connected to both the front and rear panel inputs, the microphone

connected to the rear panel input will remain inactive until the

microphone connected to the front panel input is disconnected.

DYNAMICS CONTROL SECTION

Moving to the right of the VU meter, you will ﬁnd the instruments and

controls of the optical compressor directly. The compressor can be

activated or deactivated using the switch located below the reduction

meters. The compressor in the

employing Light Dependent Resistors (LDRs) for dynamic control,

similar to units like the LA2A or CL1B. While most dynamics processors

allow for setting a single threshold point, the

enables the setup of two threshold

a Dual Slope optical compressor.

A typical use of this compressor involves applying the majority of

dynamic control on the ﬁrst knee of the curve, followed by a much

steeper second knee to handle sudden and abrupt amplitudes. This

approach allows the compressor's sound to remain manageable and

When it comes to connecting

input sources, it's possible to

connect microphone and line

signals to both the front and rear

panel connectors, while the

instrument input is only available via the

Bishop utilizes optical

points, which is why we refer to it as

The gain of the input buffer

The appropriate Drive

compression,

Bishop's compressor