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natural even under extreme operating parameters and level changes. In

terms of controls, the adjustment of the ﬁrst threshold point is achieved

through the

Threshold

knob, with the corresponding gain reduction value

indicated by the

meter labeled

GR1. The setting of the second threshold

point is accomplished using the

2ND Slope

knob, with the gain reduction

value for this indicated by

the GR2

meter.

As this isn't two separate compressors but rather a single extensively

parameterizable dynamics processor, the gain reduction for each slope

can change depending on the level distance between the individual

threshold points and how the audio material ﬁlls this range. Therefore,

it's advisable to review the ﬁrst threshold point setting after adjusting

the 2ND Slope.

The Bishop's compressor primarily serves as a supplementary

component to the preamp. The setting of compression ratio and knee

value is done simultaneously using the

Character

switch, which offers

three levels (Soft/Medium/Hard). As you progress through the levels, the

compression ratio increases and the knee curve becomes sharper.

Adjusting the compressor's timing is achieved via the

Time Constant

rotary

switch, which offers six positions as presets. The ﬁrst

automatic

mode attempts to determine the timings based on the nature of the

incoming audio material.

The remaining ﬁve positions offer attack and

release values from fastest to slowest. If you wish to use two Bishops

simultaneously while having both compressors engaged, it may be

necessary to link the compressors of the two units. This can be achieved

using the

SC.Link connector

located on the back of the Bishop, using an

asymmetric Jack-Jack cable. In terms of practical implementation, it's

advisable to proceed as follows: