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アンプ Crown DIFFEROID CM-311AのPDF アプリケーション・マニュアルをオンラインで閲覧またはダウンロードできます。Crown DIFFEROID CM-311A 14 ページ。 Differoid head-worn condenser microphone
Crown DIFFEROID CM-311A にも：データシート (2 ページ), 補足マニュアル (1 ページ), アプリケーション・マニュアル (6 ページ), 概要マニュアル (1 ページ), 使用方法 (4 ページ), クイックマニュアル (2 ページ)

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Percussion

Recording/Reinforcement:

• Place a CM-700 about 1 foot away.

• Tape a PZM on the musician's shirt (see the Crown

Boundary Mic Application Guide).

Ambience

Recording:

• Place one or two PZMs on a distant wall, or on the

control-room window.

Grand piano (Figure 10):

Recording:

• Raise the lid. Tape a GLM-100 to the underside of

the lid in the middle. For stereo, use two over the

bass and treble strings. If you need more isolation,

close the lid. Boost a few dB at 10 kHz for clarity.

• Remove the lid. Place two CM-700s or CM-150s 8

inches over the bass and treble strings, 8 inches

horizontally from the hammers. Boost a few dB at

10kHz for clarity.

• Remove the lid. Place two GLM-100s about 12

inches apart, angled 90˚ apart, 18 inches over the

sound board and 10 inches horizontally from the

hammers. Boost a few dB at 10 kHz for clarity.

Reinforcement:

• Use GLMs inside with the lid closed. Boost at 10 kHz

for extra clarity.

Upright Piano (Figure 11):

Recording:

• Remove the panel in front of the player to expose

the strings. Place two mics (CM-200A, CM-700,

CM-150, GLM-100, or GLM-200) over the bass and

treble strings.

• Mike the soundboard a few inches from the bass and

treble strings.

Reinforcement:

• For more isolation and gain-before-feedback, tape a

GLM-100 or two onto the sound board. Experiment

with position for best sound.

Xylophone and Marimba

Recording/Reinforcement:

• Place two CM-700s 18 inches above the instrument

and 2 feet apart.

Banjo (Figure12):

Recording/Reinforcement:

• Clip a GLM-UM Universal Mount to a banjo tension

rod, and position a GLM-100 1 inch from the head,

2 inches from the rim.