Ashly MX-508 운영 매뉴얼 - 페이지 8
{카테고리_이름} Ashly MX-508에 대한 운영 매뉴얼을 온라인으로 검색하거나 PDF를 다운로드하세요. Ashly MX-508 12 페이지. 8-channel, mic/line mixer
Ashly MX-508에 대해서도 마찬가지입니다: 기술 노트 및 사양 (2 페이지), 운영 매뉴얼 (12 페이지), 운영 매뉴얼 (16 페이지), 사양 시트 (2 페이지)
페이지 인쇄
Operating Manual -MX-508 Stereo Microphone/Line Mixer
6. CHANGING FACTORY CONFIGURATIONS
6 .1 Changing the Aux Pre/Post Assignment
The MX-508 is shipped from the factory with Aux 1 assigned Pre-Fader/EQ, and Aux 2 Post-Fader/EQ . Each channel's
Aux Send controls may be independently configured for either pre or post fader/EQ operation with a minimum of tools and no
soldering . To make this change, refer the following procedure to a qualified service technician:
Unplug the unit's AC power cord from the outlet . Remove the bottom cover which is fastened by seven 6-32 screws .
Locate the 3 pin headers labeled Send 1 and Send 2 near the front of each input channel circuit board (see diagram) . Remove
the shunt bar from the factory installed position indicated on the circuit board legend and place the shunt on the other position
of the 3 pin header .
7. TYPICAL APPLICATIONS
The following information will help you make the most of your new mixer:
Small Sound Reinforcement System
The MX-508 can be used to mix typical sound sources that might be found in a small club, school theater or similar
environment . Six of the input channels are used for microphones for live vocal or instrumental pickup . The remaining two
channels are used for playback from a stereo source, such as might be used during intermission, for backup, for special recorded
effects, etc . Power amplifier(s) (or any additional outboard equipment) is fed from the transformer balanced Output connectors .
Meeting Room or Church Using Remote Control
The MX-508 can be interfaced with an Ashly VCM-88C eight channel remote level controller, allowing a full-featured
mixer to be operated from a distance by a non-technical person . Once initially set up, the RD-8C desktop remote controller
can be located far away from the main audio equipment rack using a single balanced XLR cable, allowing for simplified sound
system operation using a limited number of knobs, lights, and buttons .
Location Recording or Broadcast Mixing
The MX-508 can be used to mix sources typically found in location recording or broadcast situations (mostly microphones) .
The Stereo Line Out jacks can feed a portable recorder, and the recorder's line output is brought back to the Stereo Line In
connectors for monitoring . For live remote broadcast applications the Mono Out connector can feed a suitable TELCO or
internet interface .
Submixer In Larger Sound System:
The MX-508 can be used to provide a drum mix to the main mixer without tying channels on the main console . Up to eight
mics can be "pre-mixed" in stereo, with all drum-specific gating, compression, and effects controlled directly by the drummer .
Either the main OUTPUT or the SUB OUT connectors can be used to feed the mixed drum signal to the main mixer . If there
is significant distance between the MX-508 and the "master" mixer, use the balanced or transformer- balanced Main outputs
for long cable runs .
8