Ashly MX-508 Bedieningshandleiding - Pagina 8

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Operating Manual -MX-508 Stereo Microphone/Line Mixer

6. CHANGING FACTORY CONFIGURATIONS

The MX-508 is shipped from the factory with Aux 1 assigned Pre-Fader/EQ, and Aux 2 Post-Fader/EQ . Each channel's

Aux Send controls may be independently configured for either pre or post fader/EQ operation with a minimum of tools and no

soldering . To make this change, refer the following procedure to a qualified service technician:

Unplug the unit's AC power cord from the outlet . Remove the bottom cover which is fastened by seven 6-32 screws .

Locate the 3 pin headers labeled Send 1 and Send 2 near the front of each input channel circuit board (see diagram) . Remove

the shunt bar from the factory installed position indicated on the circuit board legend and place the shunt on the other position

of the 3 pin header .

7. TYPICAL APPLICATIONS

The following information will help you make the most of your new mixer:

Small Sound Reinforcement System

The MX-508 can be used to mix typical sound sources that might be found in a small club, school theater or similar

environment . Six of the input channels are used for microphones for live vocal or instrumental pickup . The remaining two

channels are used for playback from a stereo source, such as might be used during intermission, for backup, for special recorded

effects, etc . Power amplifier(s) (or any additional outboard equipment) is fed from the transformer balanced Output connectors .

Meeting Room or Church Using Remote Control

The MX-508 can be interfaced with an Ashly VCM-88C eight channel remote level controller, allowing a full-featured

mixer to be operated from a distance by a non-technical person . Once initially set up, the RD-8C desktop remote controller

can be located far away from the main audio equipment rack using a single balanced XLR cable, allowing for simplified sound

system operation using a limited number of knobs, lights, and buttons .

Location Recording or Broadcast Mixing

The MX-508 can be used to mix sources typically found in location recording or broadcast situations (mostly microphones) .

The Stereo Line Out jacks can feed a portable recorder, and the recorder's line output is brought back to the Stereo Line In

connectors for monitoring . For live remote broadcast applications the Mono Out connector can feed a suitable TELCO or

internet interface .

Submixer In Larger Sound System:

The MX-508 can be used to provide a drum mix to the main mixer without tying channels on the main console . Up to eight

mics can be "pre-mixed" in stereo, with all drum-specific gating, compression, and effects controlled directly by the drummer .

Either the main OUTPUT or the SUB OUT connectors can be used to feed the mixed drum signal to the main mixer . If there

is significant distance between the MX-508 and the "master" mixer, use the balanced or transformer- balanced Main outputs

for long cable runs .