audiodata ArtTwo Podręcznik użytkownika - Strona 9
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4
Spikes
Spikes are primarily used to ensure a stable, low-resonance set-up. The small contact
area of the spike tips achieve a link to the floor or speaker stand and ensure that the
loudspeaker sits stably in its set-up position.
Floors that are vibratory and have a tendency to resonate, i.e. typical older hall and
parquet floors, are an exception to the above recommendation. Any connection of the
loudspeaker to the unsuited flooring here would increase the tendency to boom in the
bass range and also not provide the desired stability.
In these situations use either spikes with tips pointing up (available as an option), which
physically achieve a decoupling from the floor or use shock-absorbing pads (e.g.
rubber pucks), as offered in their range of accessories by your Hi-Fi retailer.
Take care when positioning the spikes under the loudspeakers: there is a high risk of the speaker
toppling over, as on the ArtTwo there are no slots or any other provisions made for the use of
spikes.
5 Running in
All Hi-Fi components, especially high-quality loudspeakers like the ArtTwo, require a
certain running-in time to deploy their full acoustic qualities.
During this time, mechanical parts of the loudspeaker chassis in particular, such as
surrounds and diaphragms, increasingly lose an initial stiffness that they have due to
the manufacturing process. Over the course of the first c. 20–100 hours of total playing
time, the sound gains as a result in subtlety, pliancy and warmth.
On a good system this development can be clearly noticed.
ArtTwo
1st edition, January 2019
Page 9
© AUDIODATA Salzburg GmbH