Ambient Recording ACD 201 Manual - Página 14
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* Dat recorders Must be "pulled up", in other words run at 30 fps instead of
29.97 fps. The word clock will run faster in the recording process and be
pulled down to 29.97 fps to run in sync with the Telecine which transfers the
film, which was shot at 24 fps at 23.98 fps to be in sync with NTSC colour
video at 29.97 fps.
Note 1: The use of drop frame codes in the recording process is not
recommended
Note 2: Some filmcameras have a 23.98 fps framerate. Audio recorders can then
use 29.98 fps TC. Recordings can then be synchronized with the Film (shot at
23.98 fps) without the need to pull down during the TeleCine process.
3 . 2
Generator RTC Mode
This mode has the same function as the generator-only mode with the
difference that on power-up of the master slate the RTC time and date is
loaded into the Generator.
3 . 3
Reader/Generator Mode
In many film situations there is a requirement for 2 timecodes to be displayed.
In the classical situation a playback with timecode is being played in a scene
where at the same time sound is being recorded.
The master slate when opened, displays the Playback timecode (ext TC)
connected by cable or transmitted by radio, thus facilitating syncing playback
to picture. When the slate is closed the generator time is displayed thus
giving a timecode value corresponding to the time on the recorded tape.
Note. When switch 7 is ON the playback time value at the moment of closure of
the slate is displayed for 2 mins after the userbits. This value can be logged by the
Continuity/Script person.
Feature: With dipswitch 12 ON the TC out signal (pin 5 LEMO) contains the
generator time and the reader time in the generator userbit slot.
This TC could be transmitted for logging purposes.
3 . 4
Reader Mode
In this mode the slate is a reader only and can be used in conjunction with a
radio link or cable to display Playback timecode in a videoclip or multicamera
shooting situation.
When the slate is opened the timecode is displayed.
.
4
OFF
ON
4
5
OFF
5
O N
OFF
O N
4
5