Brainworx Ampeg SVT-VR 플러그인 매뉴얼 - 페이지 4

{카테고리_이름} Brainworx Ampeg SVT-VR에 대한 플러그인 매뉴얼을 온라인으로 검색하거나 PDF를 다운로드하세요. Brainworx Ampeg SVT-VR 10 페이지.

T h e B a s i c s

THE BASICS:

You can use the amp section of this plug-in exactly like you would operate the real

Ampeg SVT-VR tube amplifier.

Plug in your bass guitar (via your computer audio interface in this case), adjust Gain,

Tone and Volume... and Rock'n'Roll!

Unison Technology

The Ampeg plug-in was developed with the Apollo series interfaces in mind and made

com- patible with Unison preamp technology. Of course the SVT-VR will work with any

UAD-2 device, but to experience ultra-low latency along with important impedance,

gain 'sweet spots', and circuit behaviors of the real amp, you need an Apollo interface.

In order to do this, you should insert the SVT-VR in the preamp insert position of

Apollo's Console application. This will greatly enhance your experience, making the

tone and behavior of your sound an exacting replication of a physical bass amp.

The Ampeg plug-in was developed with the Apollo series interfaces in mind. Of course

the SVT-VR will work with any UAD-2 device, but to experience the ultra-low latency

(desirable for playing in real-time) you need an Apollo interface.

A good producer's trick is to use a real bass amp (a small combo, for example) for

real-time monitoring in the control room during tracking while recording only the DI

bass signal. Then use the Ampeg plug-in when you play back the recorded tracks

together with the rest of your music. You will need to split the dry bass signal so it

can be recorded in the computer and routed to the real bass guitar amplifier input at

the same time.

Ampeg SVT-VR

To play and record dry DI bass tracks with the lowest latency and the highest quality

possible, connect your bass to the Hi-Z Input of the Apollo interface or connect a

quality DI Box and Mic Preamp to a line input of your Apollo Series interface.

If you insert the SVT-VR plug-in in the Console software mixer (to use the plug-in with

the lowest possible latency) you have to decide whether you want to record processed

bass guitar amp sounds (click the INSERT EFFECTS switch to REC in the Apollo

console) or whether you only want to record the dry DI bass signal, while monitoring

the processed amp sound during tracking, of course (click the INSERT EFFECTS switch

to MON in the Apollo console).

The advantage of only monitoring the processed sound is that you can alter the settings

of your amp and FX completely during mixdown. If you find out later that less or more

Gain would sound better for your song you can still make that happen.

The advantage of recording pre-processed bass tracks might be that you will need

fewer plug-ins during mixdown, as your bass tracks will be ready to be mixed. All you

can do then is EQ and compress the recorded bass tracks, or add effects, just like you

would with traditional bass guitar amp recordings. Once you know 'your sound' you

may even save some time by recording processed bass tracks and using them without

further tweaking or fiddling around... your band mates

or your producer may even appreciate this. ;-)